The Greatest View

Provenance

Camera
NIKON D7000
Lens
14.0-24.0 mm f/2.8
Settings
21mm · f/8.0 · 1/40 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Curved multi-paned windows wrap the full width of an empty room at Callan Park, their frames throwing sharp reflections across the polished floor below. Two fluorescent fittings follow the arc of the ceiling, and a low curved wall runs between the floor and the glass. Red-roofed houses and bare trees sit under a flat grey sky.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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Ships within 10 business days · signed & numbered

In situ

The Greatest View at Callan Park, unframed print displayed in situ on a wall.The Greatest View at Callan Park, white-framed print displayed in situ on a wall.The Greatest View at Callan Park, black-framed print displayed in situ on a wall.The Greatest View at Callan Park, raw timber-framed print displayed in situ on a wall.The Greatest View at Callan Park, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
The Greatest View
Series
Callan Park
Catalogue
CPA-055
Process
Giclée
Captured
29 October 2015
Camera
NIKON D7000
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1/40 s
ISO
100
Focal length
21 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rozelle, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Rozelle, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A curved wall of steel-framed windows wraps almost 180 degrees around a bare concrete floor at Callan Park. Louvre handles jut from the glass at intervals along the arc. Two fluorescent fittings hang dead from the textured ceiling. Daylight comes through the clear panes under a flat grey sky, pooling across the polished surface and casting long column shadows toward the centre of the room. Beyond the glass sit red-roofed houses and bare trees. Several windows are open. Vegetation presses close to the building on the right side. The room holds no furniture, no patient, no staff.

Callan Park Hospital for the Insane was proclaimed as a separate institution on 1 August 1878, on the Iron Cove foreshore in Sydney's Inner West. The Kirkbride Complex was designed by colonial architect James Barnet with superintendent Frederic Norton Manning, applying the moral therapy principles of the period. Charles Moore, Director of the Sydney Botanic Gardens, designed the surrounding landscape. Wide windows and curved sunrooms like this one were not decorative. Light, air, and outlook were treated as part of the treatment. The complex remains on the NSW State Heritage Register at #00818. Many of the wards have been progressively closed since the late twentieth century. Sydney College of the Arts, which occupied part of the grounds, vacated in 2019.

04 FROM THE FIELD NOTES

Curved multi-paned windows wrap the full width of an empty room at Callan Park, their frames throwing sharp reflections across the polished floor below.

Brett Patman

Callan Park

The series

Callan Park

2016–2018 · 93 photographs

Dr Frederic Norton Manning rejected the asylum as 'a cemetery for deceased intellects'. In 1876 he toured asylums in England, France, Germany and the United States, returning with drawings of Chartham Down Hospital in Kent. Working with Colonial Architect James Barnet and Botanic Gardens director Charles Moore, he built Australia's first hospital purpose-built for moral therapy treatment on the Iron Cove foreshore.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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