The Hall

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
20mm · f/8.0 · 1.6s · ISO 800
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A corridor runs the length of the frame with open doorways spaced along one side. Painted plaster has peeled from concrete walls in large irregular sections. Paint chips and debris cover the floor. Light enters through each doorway in turn, progressively dimmer toward the far end of the passage.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

The Hall at Female Ward 9 & 10, unframed print displayed in situ on a wall.The Hall at Female Ward 9 & 10, white-framed print displayed in situ on a wall.The Hall at Female Ward 9 & 10, black-framed print displayed in situ on a wall.The Hall at Female Ward 9 & 10, raw timber-framed print displayed in situ on a wall.The Hall at Female Ward 9 & 10, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
The Hall
Series
Callan Park
Catalogue
CPA-023
Process
Giclée
Captured
1 March 2019
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1.6s s
ISO
800
Focal length
20 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rozelle, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Rozelle, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The corridor runs the length of the frame, doorways spaced at regular intervals along one side. Painted plaster has lifted from the concrete walls and fallen in pieces across the floor, leaving the surface beneath exposed in broad, irregular patches. Light enters through each open doorway in turn and fades toward the far end of the passage, the last door barely visible. Paint chips and debris cover the floor from wall to wall. This is the Kirkbride Complex at Callan Park, Rozelle. Ground was broken on 11 February 1880 and the first ward opened on 1 July 1884, with the full complex completed by 1885 at a total construction cost of £235,539. The buildings were the result of a collaboration between three people: Colonial Architect James Barnet, who selected the Iron Cove foreshore site for its winter sun and summer breezes; Inspector General of the Insane Frederic Norton Manning, who returned from a study tour of England, France, Germany and the United States in 1876 carrying drawings of Chartham Down Hospital in Kent as the planning model; and Charles Moore, Director of the Royal Botanic Gardens, who designed the grounds and landscape as a therapeutic space in their own right. The Kirkbride Complex was Australia's first purpose-built hospital for moral therapy treatment. Seventeen sandstone blocks arranged around landscaped courtyards, linked by a continuous covered veranda, with ten ward blocks divided equally between male and female patients. The NSW State Heritage Register statement of significance describes the complex as having exceptional significance and confirms it as the first institution of its kind designed as a curative and therapeutic environment. By 1930 the hospital held around 1,500 patients against a designed capacity of 766. A sequence of public inquiries followed. Last patient services left the Kirkbride Complex in 1994. Sydney College of the Arts occupied the buildings from 1996 under a 99-year lease, and vacated at the end of 2019. The photograph was made that same year. The corridor records what the buildings held when no one was using them anymore.

04 FROM THE FIELD NOTES

A corridor in the Kirkbride Complex at Callan Park, photographed in 2019 as the Sydney College of the Arts was winding down its final year in the building. The ward blocks were built between 1880 and 1885 to a pavilion-type layout, designed by Colonial Architect James Barnet, Inspector General Frederic Norton Manning, and botanist Charles Moore. Painted plaster peels from the walls in long strips, and debris covers the floor. Light falls through a line of open doorways and fades toward the far end of the passage.

Brett Patman

Callan Park

The series

Callan Park

2016–2018 · 93 photographs

Dr Frederic Norton Manning rejected the asylum as 'a cemetery for deceased intellects'. In 1876 he toured asylums in England, France, Germany and the United States, returning with drawings of Chartham Down Hospital in Kent. Working with Colonial Architect James Barnet and Botanic Gardens director Charles Moore, he built Australia's first hospital purpose-built for moral therapy treatment on the Iron Cove foreshore.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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