The Hall

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
20mm · f/8.0 · 1.6s · ISO 800
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Painted plaster peels from concrete walls along a corridor of open doorways. Paint chips and debris cover the floor. Light filters through each door frame in turn, fading into the far end of the passage.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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Ships within 10 business days · signed & numbered

In situ

The Hall at Female Ward 9 & 10, a corridor stretches deep into the ward.The Hall at Female Ward 9 & 10, a corridor stretches deep into the ward.The Hall at Female Ward 9 & 10, a corridor stretches deep into the ward.The Hall at Female Ward 9 & 10, a corridor stretches deep into the ward.The Hall at Female Ward 9 & 10, a corridor stretches deep into the ward.
01 PROVENANCE

Print datasheet

Title
The Hall
Series
Callan Park
Catalogue
CPA-023
Process
Giclée
Captured
1 March 2019
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1.6s s
ISO
800
Focal length
20 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rozelle, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Rozelle, New South Wales, Australia

Map · Mapbox · OpenStreetMap

04 FROM THE FIELD NOTES

A corridor stretches deep into the ward. Panelled timber doors hang open at staggered intervals, their hinges rusted brown against grey paint. Plaster has fallen from the walls and ceiling in wide sheets, exposing the rough render beneath. Chips of pale blue paint litter the concrete floor. Light spills through each doorway in angled slabs, cutting across the dim hallway.

Brett Patman

Callan Park

The series

Callan Park

2016–2018 · 93 photographs

Dr Frederic Norton Manning rejected the asylum as 'a cemetery for deceased intellects'. In 1876 he toured asylums in England, France, Germany and the United States, returning with drawings of Chartham Down Hospital in Kent. Working with Colonial Architect James Barnet and Botanic Gardens director Charles Moore, he built Australia's first hospital purpose-built for moral therapy treatment on the Iron Cove foreshore.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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