The Hall
Provenance
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 20mm · f/8.0 · 1.6s · ISO 800
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A corridor runs the length of the frame with open doorways spaced along one side. Painted plaster has peeled from concrete walls in large irregular sections. Paint chips and debris cover the floor. Light enters through each doorway in turn, progressively dimmer toward the far end of the passage.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- The Hall
- Series
- Callan Park
- Catalogue
- CPA-023
- Process
- Giclée
- Captured
- 1 March 2019
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 1.6s s
- ISO
- 800
- Focal length
- 20 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rozelle, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Rozelle, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
A corridor in the Kirkbride Complex at Callan Park, photographed in 2019 as the Sydney College of the Arts was winding down its final year in the building. The ward blocks were built between 1880 and 1885 to a pavilion-type layout, designed by Colonial Architect James Barnet, Inspector General Frederic Norton Manning, and botanist Charles Moore. Painted plaster peels from the walls in long strips, and debris covers the floor. Light falls through a line of open doorways and fades toward the far end of the passage.
Brett Patman
The series
Callan Park
Dr Frederic Norton Manning rejected the asylum as 'a cemetery for deceased intellects'. In 1876 he toured asylums in England, France, Germany and the United States, returning with drawings of Chartham Down Hospital in Kent. Working with Colonial Architect James Barnet and Botanic Gardens director Charles Moore, he built Australia's first hospital purpose-built for moral therapy treatment on the Iron Cove foreshore.
Print sizes
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