Bathroom

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 0.8s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A small bathroom inside Female Wards 9 and 10 of the Kirkbride Complex. Tiled walls with paint peeling in large sections. Surfaces stained from prolonged disuse. A window with grimy glass admits diffuse cold light. Fixtures remain in place. The floor and ceiling show the same deterioration as the walls.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Bathroom at Female Ward 9 & 10, unframed print displayed in situ on a wall.Bathroom at Female Ward 9 & 10, white-framed print displayed in situ on a wall.Bathroom at Female Ward 9 & 10, black-framed print displayed in situ on a wall.Bathroom at Female Ward 9 & 10, raw timber-framed print displayed in situ on a wall.Bathroom at Female Ward 9 & 10, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Bathroom
Series
Callan Park
Catalogue
CPA-008
Process
Giclée
Captured
1 March 2019
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
0.8s s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rozelle, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Rozelle, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

Inside Female Wards 9 and 10 of Callan Park's Kirkbride Complex, a bathroom has been left to come apart slowly. Paint peels from the walls in broad sections, exposing the layers beneath. The tiles are stained. A window admits cold, diffuse light through glass that has not been cleaned in years. Fixtures remain in place, but the room has the quality of something that stopped mid-sentence. The Kirkbride Complex was built on a specific medical argument: that the physical environment could treat mental illness, not merely contain it. Colonial Architect James Barnet, Inspector General of the Insane Frederic Norton Manning, and Charles Moore, Director of the Royal Botanic Gardens, designed the complex collaboratively. Manning had toured England, France, Germany, and the United States in 1876 and returned with drawings of Chartham Down Hospital in Canterbury, Kent. He adapted the pavilion layout for the New South Wales climate, extending the verandah spaces and arranging the wards around landscaped courtyards. Ground was broken on 11 February 1880. The first ward opened on 1 July 1884. The institution was proclaimed as a separate hospital from Gladesville on 1 August 1878. It was Australia's first purpose-built hospital for moral therapy treatment. The NSW State Heritage Register, which lists the Kirkbride Complex under SHR 00818, describes it as having exceptional significance and confirms it as the first facility of its kind to be designed as a curative and therapeutic environment. By 1930 the hospital held 1,500 patients against a designed capacity of approximately 600 to 766. The sequence of public inquiries ran from 1923 through to the 1961 Royal Commission. The last patient services transferred from the Kirkbride Complex in 1994. Sydney College of the Arts occupied the buildings under a 99-year lease from 1996; the Rozelle campus closed at the end of 2019. This photograph was made in 2019, in the year the building was vacated.

04 FROM THE FIELD NOTES

Inside Female Wards 9 and 10 of Callan Park's Kirkbride Complex, a bathroom stands abandoned. Paint has peeled back from the walls in layers, and the tiles beneath are stained from years without use. Cold light filters through a grimy window, crossing surfaces that once served patients housed in a building designed, from the ground up, to be therapeutic. Colonial Architect James Barnet opened the first Kirkbride ward in 1884. The complex was Australia's first purpose-built hospital for moral therapy treatment.

Brett Patman

Callan Park

The series

Callan Park

2016–2018 · 93 photographs

Dr Frederic Norton Manning rejected the asylum as 'a cemetery for deceased intellects'. In 1876 he toured asylums in England, France, Germany and the United States, returning with drawings of Chartham Down Hospital in Kent. Working with Colonial Architect James Barnet and Botanic Gardens director Charles Moore, he built Australia's first hospital purpose-built for moral therapy treatment on the Iron Cove foreshore.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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