Rust

Provenance

Camera
NIKON D850
Lens
70.0-200.0 mm f/2.8
Settings
120mm · f/8.0 · 1/160 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A metal surface covered in dense ochre and orange rust, the oxidisation spreading in varied blooms and textures across the face of the material. The decay is uneven, with deeper red-brown patches beside lighter ochre tones. No text or markings are visible through the corrosion.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.

Returns Damaged in transit? We replace it. Full policy →

Ships within 10 business days · signed & numbered

In situ

Rust at Leichhardt House, unframed print displayed in situ on a wall.Rust at Leichhardt House, white-framed print displayed in situ on a wall.Rust at Leichhardt House, black-framed print displayed in situ on a wall.Rust at Leichhardt House, raw timber-framed print displayed in situ on a wall.Rust at Leichhardt House, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Rust
Series
Leichhardt House
Catalogue
LEH-010
Process
Giclée
Captured
13 June 2020
Camera
NIKON D850
Lens
70.0-200.0 mm f/2.8
Aperture
f/8.0
Shutter
1/160 s
ISO
100
Focal length
120 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Southern Tablelands, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

The metal surface in this photograph has been surrendering to rust for a long time. Ochre and deep red-brown blooms spread across the steel in uneven formations, the corrosion working outward from pits and seams in slow, dense patterns. It is the kind of oxidisation that takes decades to accumulate, layer by layer, in a building that stopped being maintained and started being used for something else entirely. Leichhardt House is a slab cottage in the NSW Southern Tablelands, built around 130 years ago by a family whose name and exact location remain private at their own request. The construction follows the colonial vernacular typology common across rural New South Wales from the late nineteenth century: rough-sawn eucalypt timber, split into slabs and fitted between grooved posts, raised by settlers who could erect a basic structure in a matter of weeks using timber available on the selection itself. The building began as a dwelling. By the time Brett Patman photographed it in 2020, the end wall that once held a chimney had been removed and replaced with large doors, the kind of modification that signals a shift from domestic life to working storage. Inside, the original fittings remain: a hardwood washstand with ornate brass handles, counter scales still sitting where they were left, a hanging scale with a frozen dial, animal traps, a wireless set. And metal surfaces, unprotected now for long enough that the rust has had its way with them entirely. The building outlasted a larger, newer family home on the same property, which was destroyed in the fires that swept the Southern Tablelands in the 1964-65 season. The slab walls held. Dense hardwood construction, close to the ground, proved more resilient than the later building beside it. The rust in this photograph is part of the same story: a structure that endures, changes use, and slowly shows the cost of that endurance in its surfaces.

04 FROM THE FIELD NOTES

Inside a slab cottage built around 130 years ago in the NSW Southern Tablelands, metal surfaces have quietly surrendered to rust. The ochre blooms spread across the steel in dense, textured formations, the work of decades of humidity and neglect. The building, colonial vernacular in its bones, began as a family dwelling and was later converted to an agricultural shed. Its metal fittings and fixtures record that slow passage from domestic life to working storage in the only way metal knows how.

Brett Patman

Leichhardt House

The series

Leichhardt House

2020 · 18 photographs

Leichhardt House is a slab hut cottage in the New South Wales Southern Tablelands, around 130 years old. The building has outlasted what was built around it. A larger family home built close by in the early 1900s was destroyed in the 1964-65 fires that swept the Southern Tablelands, and a new home went up in its place. The slab hut survived. The end wall, where the chimney once stood, has been taken out and replaced with large doors so the building can keep working as a shed. The owners hold a photograph from around 1920 showing two young boys standing out the front of the same cottage, against the same slab walls. The Lost Collective photographs sit alongside that older record as a second century-on view of the same place. The exact location and the family who hold it have asked to remain unnamed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

You're subscribed.