Trap
Provenance
- Camera
- NIKON D850
- Lens
- 70.0-200.0 mm f/2.8
- Settings
- 130mm · f/2.8 · 1/800 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A rusted steel jaw-trap rests open on dusty hardwood floorboards. A narrow shaft of light crosses the frame, catching the trap's jaws and the dust suspended in the air above it. The floorboards are grimy and worn. The surrounding interior is dim, with slab timber walls visible at the edge of the frame.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Trap
- Series
- Leichhardt House
- Catalogue
- LEH-013
- Process
- Giclée
- Captured
- 13 June 2020
- Camera
- NIKON D850
- Lens
- 70.0-200.0 mm f/2.8
- Aperture
- f/2.8
- Shutter
- 1/800 s
- ISO
- 100
- Focal length
- 130 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Southern Tablelands, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
A rusted jaw-trap sits open on the floorboards of Leichhardt House, a slab timber cottage built around 1890 in the NSW Southern Tablelands and now used as an agricultural shed on a working pastoral property. The trap is one of several artefacts left inside the building, alongside counter scales, a washstand, and a hanging scale with a frozen dial. A sliver of light crosses the grimy boards and catches the open jaws, the only movement in an otherwise still interior.
Brett Patman
The series
Leichhardt House
Leichhardt House is a slab hut cottage in the New South Wales Southern Tablelands, around 130 years old. The building has outlasted what was built around it. A larger family home built close by in the early 1900s was destroyed in the 1964-65 fires that swept the Southern Tablelands, and a new home went up in its place. The slab hut survived. The end wall, where the chimney once stood, has been taken out and replaced with large doors so the building can keep working as a shed. The owners hold a photograph from around 1920 showing two young boys standing out the front of the same cottage, against the same slab walls. The Lost Collective photographs sit alongside that older record as a second century-on view of the same place. The exact location and the family who hold it have asked to remain unnamed.
Print sizes
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