Trap
Provenance
- Camera
- NIKON D850
- Lens
- 70.0-200.0 mm f/2.8
- Settings
- 130mm · f/2.8 · 1/800 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A rusted, disused trap rests on the grimy floorboards inside Leichhardt House. Dust motes dance in the sliver of light illuminating its open jaws. The structure slowly succumbs to time.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ
Print datasheet
- Title
- Trap
- Series
- Leichhardt House
- Catalogue
- LEH-013
- Process
- Giclée
- Captured
- 13 June 2020
- Camera
- NIKON D850
- Lens
- 70.0-200.0 mm f/2.8
- Aperture
- f/2.8
- Shutter
- 1/800 s
- ISO
- 100
- Focal length
- 130 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Southern Tablelands, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
A rusted steel trap hangs from a short chain on a weathered timber post. The metal is dark brown, pitted and flaking, its jaws locked open. Graduation marks are still visible along the flat plate. Behind it, soft green foliage blurs into warm afternoon light. The timber frame is pale, dried out, its grain split and rough to the touch.
Brett Patman
The series
Leichhardt House
Leichhardt House is a slab hut cottage in the New South Wales Southern Tablelands, around 130 years old. The building has outlasted what was built around it. A larger family home built close by in the early 1900s was destroyed in the 1964-65 fires that swept the Southern Tablelands, and a new home went up in its place. The slab hut survived. The end wall, where the chimney once stood, has been taken out and replaced with large doors so the building can keep working as a shed. The owners hold a photograph from around 1920 showing two young boys standing out the front of the same cottage, against the same slab walls. The Lost Collective photographs sit alongside that older record as a second century-on view of the same place. The exact location and the family who hold it have asked to remain unnamed.
Print sizes
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