Recieving Issue
Provenance
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 20mm · f/8.0 · 1/20 · ISO 200
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A receiving bay interior with industrial wall-mounted fixtures remaining in place. Surfaces show the wear of decades of operational use. Natural light enters the space. The room is empty of personnel and equipment, leaving only the fixed infrastructure.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Recieving Issue
- Series
- Newington Armory
- Catalogue
- NAR-020
- Process
- Giclée
- Captured
- 11 October 2019
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 1/20 s
- ISO
- 200
- Focal length
- 20 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Silverwater, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Silverwater, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
The receiving bay at Newington Armament Depot and Nature Reserve was where the depot's supply chain began at the building level, part of a site that handled naval armaments for 102 years. From 1921 the Royal Australian Navy ran operations here, receiving, inspecting, storing, and distributing gunpowder, explosive shells, torpedoes, and depth charges. The depot serviced 5,127 Navy ship dockings during World War II alone, including vessels from Australian, British, and United States fleets. The last ammunition operation crossed the wharf on 14 December 1999.
Brett Patman
The series
Newington Armory
The Newington Armory operated as a Royal Australian Navy munitions depot from 1897 until decommissioning in 1999. Sandstone and brick magazines line the Parramatta River foreshore, their walls a metre thick in places, engineered to contain the force of an accidental detonation. The site now sits within Sydney Olympic Park, its original stores largely intact, paint peeling from heavy timber doors, river light filtering through narrow vents cut into stone.
Print sizes
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