Living Quarters Alley

Provenance

Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/9.0 · 1/125 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A winding alleyway between rows of decaying low-rise residential buildings. Concrete walls show heavy weathering and surface crumbling. Vegetation has grown across the path and along the building faces. Remnants of doorways and openings visible along the alley. Overgrowth presses in from ground level and above.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.

Returns Damaged in transit? We replace it. Full policy →

Ships within 10 business days · signed & numbered

In situ

Living Quarters Alley at Nichitsu Mining Village, two wooden residential buildings lean toward each other across a narrow.Living Quarters Alley at Nichitsu Mining Village, two wooden residential buildings lean toward each other across a narrow.Living Quarters Alley at Nichitsu Mining Village, two wooden residential buildings lean toward each other across a narrow.Living Quarters Alley at Nichitsu Mining Village, two wooden residential buildings lean toward each other across a narrow.Living Quarters Alley at Nichitsu Mining Village, two wooden residential buildings lean toward each other across a narrow.
01 PROVENANCE

Print datasheet

Title
Living Quarters Alley
Series
Nichitsu Mining Village
Catalogue
NMV-018
Process
Giclée
Captured
4 May 2016
Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Aperture
f/9.0
Shutter
1/125 s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Chichibu, Saitama, Japan
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Chichibu, Saitama, Japan

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The alleyway in this photograph runs between the concrete residential blocks of the Ogurawa settlement, the housing quarter built by the Nichitsu group to support the workforce of Chichibu Mine. Walls are crumbling along their faces, the path beneath them long overtaken by vegetation. Doorways open onto the lane. The dense mountain forest of the upper Nakatsugawa valley presses in from every angle. The Ogurawa settlement operated as a self-contained company town. Housing was stratified by workplace rank: management occupied single-family houses with tiled roofs, while workers and their families lived in concrete apartment blocks with shared bathing facilities. At the settlement's peak in the 1960s, when annual ore output from Chichibu Mine reached 500,000 tonnes and the valley was described as more prosperous than downtown Chichibu, the population exceeded 2,000 people. The settlement supported a school, a clinic, a post office, a bathhouse, a general store, a cultural hall with a cinema, and its own internal fire brigade. Metal mining at Chichibu Mine ceased in 1978. The zinc and magnetite that had driven the settlement's growth gave way to crystalline limestone extraction, a quieter operation requiring fewer workers. Families left through the late 1970s and into the 1980s. The Ogurawa Elementary and Middle School, which had enrolled 274 students in 1959, closed in March 1984 with just 7 students remaining. The settlement's last retail outlet shut in 2003. The final permanent resident left in September 2006. The residential blocks were not formally protected. No heritage listing covers the mine buildings or the housing. The land remained private property of Nitchitsu Co. Ltd. after closure. What the photograph records in 2016 is a decade of uninhabited deterioration: concrete softening, vegetation advancing, the ordered geometry of a company-built street returning to the valley's mountain forest.

04 FROM THE FIELD NOTES

An alleyway threads between the remains of the Ogurawa settlement's worker housing, the concrete walls crumbling and the path long since swallowed by mountain vegetation. This residential quarter was built by the Nichitsu group to house the miners and their families who worked Chichibu Mine. Company housing was stratified by rank: management occupied tiled-roof houses while workers shared concrete apartment blocks with communal facilities. The valley's population once exceeded 2,000. Metal extraction ceased in 1978, families began leaving, and by September 2006 the last permanent resident had gone.

Brett Patman

Nichitsu Mining Village

The series

Nichitsu Mining Village

2016 · 36 photographs

Nichitsu Mining Village - formally Ogura-sawa settlement - sits in the mountains above Chichibu in Saitama Prefecture. The mine was first worked around 1600 by the Kai Takeda clan, Takeda Shingen's house, who panned gold and placer gold from its streams. In 1765 the Edo-period polymath Hiraga Gennai entered the valley to mine gold; his residence, Gennai-kyo, survives as a Chichibu City historic site. Yanase Trading bought the mine in 1910 and added iron-ore extraction. Nichitsu Mining Development took over in 1937 and reorganised as Nichitsu Mining Industry in 1950. By the 1960s the mine produced 500,000 tonnes a year of zinc, magnetite and over 140 mineral species - the most varied mine in Japan - supporting a town of 2,000 to 2,400 people with two schools, a hospital, a fire department, a cinema and a post office. Metal mining stopped in 1978; quartz sand began in 1969; crystalline limestone carried on until 30 September 2022, when Nitchitsu Co. closed the operation entirely.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

You're subscribed.