Verandah

Provenance

Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/9.0 · 1/50 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A timber verandah on a building inside Western Village, Nikko. Paint has separated from the boards in long strips. The timber beneath is dark and weathered. Natural light falls across the decayed surface. No figures present in the frame.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Verandah at Western Village, unframed print displayed in situ on a wall.Verandah at Western Village, white-framed print displayed in situ on a wall.Verandah at Western Village, black-framed print displayed in situ on a wall.Verandah at Western Village, raw timber-framed print displayed in situ on a wall.Verandah at Western Village, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Verandah
Series
Western Village
Catalogue
WVI-017
Process
Giclée
Captured
19 February 2014
Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Aperture
f/9.0
Shutter
1/50 s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Nasu-Shiobara, Tochigi, Japan
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Nasu-Shiobara, Tochigi, Japan

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The verandah is timber-framed, its boards painted to suggest an 1880s American main street somewhere in a mountain valley in Tochigi Prefecture. By 2014, when this photograph was made, the paint had been lifting for years, separating from the wood in long irregular strips and exposing the grain beneath to whatever the Nikko winters brought. Western Village opened in October 1973 as Kinugawa Family Ranch, a guest ranch on land in Kurihara owned by the Ōminami family. In March 1982, it was formally renamed Western Village and repositioned as a theme park, its grounds arranged as a frontier town: saloon, bank, barbershop, sheriff's office, hotel facade, chapel, two haunted houses. The buildings were timber-framed with false fronts built to suggest a mid-nineteenth century American townscape. The Togawa River running through the site was re-imagined as the Rio Grande, with an American zone on one bank and a Mexican village on the other. Through the 1980s and 1990s, the park expanded. A 914 mm gauge Western Railroad opened in 1988 with steam locomotives imported from the United States. An Indian Theater followed in 1991. In 1995, an entire new zone opened around a one-third scale Mount Rushmore replica, constructed at a cost of ¥2.5 billion. By 2003, the broader Kinugawa Onsen district was in serious difficulty. The Ashikaga Bank, main lender to a large share of the region's accommodation and leisure operators, was nationalised on 29 November 2003 under the Deposit Insurance Corporation. Credit tightened across the district. Western Village closed to visitors on 7 December 2006 after Nissin Debt Collection filed for foreclosure of the land and buildings at the Tokyo District Court in September of that year. All employees were terminated in February 2007. The park has not reopened. This verandah, photographed in 2014, is what remains of the frontier-town set when the maintenance stops and the weather takes over. The peeling paint is not a design effect. It is what happens to faux weathering when it becomes the real thing.

04 FROM THE FIELD NOTES

A timber verandah clings to one of Western Village's frontier-town buildings in Nikko, its painted boards peeling back after nearly two decades of abandonment. Western Village operated from October 1973, when Ōminami Ken'ichi and Ōminami Shizuko opened a guest ranch on family land in Kurihara, until December 2006, when the park closed following foreclosure proceedings brought by Nissin Debt Collection at the Tokyo District Court. The verandah, built to evoke an 1880s American main street, now records what time and weather do when no one is maintaining the fiction.

Brett Patman

Western Village

The series

Western Village

2016 · 18 photographs

Western Village began life in the early 1970s as Kinugawa Ranch, a family-owned country camp near Nikkō in Tochigi Prefecture. In 1975 it was rebuilt as a Western American themed amusement park: replica saloon, hotel, barbershop, bank, blacksmith, sheriff's office, chapel, two haunted houses, and a "mystery shack" with slanted interiors. Animatronic figures populated the buildings; live shows included whip cracking and apple-shooting. At its peak it drew close to a million visitors a year. Continuing investment outpaced revenue; the entrance fee was cut from ¥2,400 to ¥1,500 with little effect. The creditor NIS Group filed for foreclosure in April 2007. The animatronic figures are still in place.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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