Verandah
Provenance
- Camera
- NIKON D810
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 14mm · f/9.0 · 1/50 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A weathered verandah clings to a forgotten building in the Western Village. Peeling paint and decaying timber tell tales of abandonment.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ
Print datasheet
- Title
- Verandah
- Series
- Western Village
- Catalogue
- WVI-017
- Process
- Giclée
- Captured
- 19 February 2014
- Camera
- NIKON D810
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/9.0
- Shutter
- 1/50 s
- ISO
- 100
- Focal length
- 14 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Nasu-Shiobara, Tochigi, Japan
- Authenticity
- C2PA verified provenance →
- Recognised by
- National Trust of Australia (NSW), 2016 Heritage Award, Multimedia
Nasu-Shiobara, Tochigi, Japan
Map · Mapbox · OpenStreetMap
A weathered timber verandah runs along a western-style clapboard building. Grey planks bow and split underfoot. A pachinko machine sits against the wall, its coloured panels still intact, coin slot empty. Beside it, a "Wanted" poster is tacked to the boards. Dense green shrubs push through the edge of the decking, swallowing the walkway. More arcade cabinets crowd the far end. The air is heavy and damp. Overcast light flattens everything.
Brett Patman
The series
Western Village
Western Village began life in the early 1970s as Kinugawa Ranch, a family-owned country camp near Nikkō in Tochigi Prefecture. In 1975 it was rebuilt as a Western American themed amusement park: replica saloon, hotel, barbershop, bank, blacksmith, sheriff's office, chapel, two haunted houses, and a "mystery shack" with slanted interiors. Animatronic figures populated the buildings; live shows included whip cracking and apple-shooting. At its peak it drew close to a million visitors a year. Continuing investment outpaced revenue; the entrance fee was cut from ¥2,400 to ¥1,500 with little effect. The creditor NIS Group filed for foreclosure in April 2007. The animatronic figures are still in place.
Print sizes
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