A single-room timber and corrugated iron hut on a green ridge at A Place to Call Home. Corrugated iron walls show deep rust and peeling paint. The walls lean slightly on their stumps.

01 The DairyVarious2018

ISO 1001/500f/8.027mm

Series · 1 print

The Dairy

Photographed 2018
Frames 1
Camera NIKON D850
Location Various, Australia
Status Abandoned; disused
01 ABOUT THIS SERIES

Series story

Map · Mapbox · OpenStreetMap

The dairy was once a cornerstone of rural life,a place of early mornings, steady hands, and the quiet rhythm of milk cans and cattle. These small buildings, scattered across the countryside, played an essential role in sustaining communities built around the land. Photographed across remote farmland and pastoral regions, this collection captures the character of these structures,some still in use, others long abandoned, their timber walls and corrugated iron roofs bearing the wear of time and changing industry. Many of these dairies, once vital to families and local economies, now stand silent, replaced by larger operations or lost to history. Yet their presence on the landscape remains, markers of a way of life that endures in memory. Through these images, step into the quiet solitude of these timeworn spaces, where traces of the past still linger in the empty stalls and weathered doorways. Explore the collection below.

03 PRINTS

Prints in this series

Hand-signed and numbered, printed from the original RAW file. Open editions in the two smallest sizes; limited editions of 100, 50 and 25 in the three larger, never reissued once they sell through.

04 ABOUT THE PRINTS

How they’re made

Made to order by Brett in Sydney, from the original RAW file. Each print is hand-signed and numbered before it ships.

Paper

Ilford Galerie cotton rag, 310 gsm. Acrylic on metallic gloss, 260 gsm.

Editions

Open in XS and S. Limited in M (100), L (50), XL (25). From $100.

Print tiers →

Lead time

Unframed: 5 to 10 business days. Framed and acrylic: 10 to 20.

08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

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