Brown Mountain Backdrop at The Dairy, a single timber and corrugated iron hut sits on a green ridge, small against.

01 The DairyVarious2018

ISO 5001/640f/5.6560mm

Series · 2 prints

The Dairy

Photographed 2018
Frames 2
Camera NIKON Z 7 · NIKON D850
Location Various, Australia
Status Abandoned; disused
01 ABOUT THIS SERIES

Series story

The dairy was once a cornerstone of rural life,a place of early mornings, steady hands, and the quiet rhythm of milk cans and cattle. These small buildings, scattered across the countryside, played an essential role in sustaining communities built around the land. Photographed across remote farmland and pastoral regions, this collection captures the character of these structures,some still in use, others long abandoned, their timber walls and corrugated iron roofs bearing the wear of time and changing industry. Many of these dairies, once vital to families and local economies, now stand silent, replaced by larger operations or lost to history. Yet their presence on the landscape remains, markers of a way of life that endures in memory. Through these images, step into the quiet solitude of these timeworn spaces, where traces of the past still linger in the empty stalls and weathered doorways. Explore the collection below.

03 PRINTS

Prints in this series

Hand-signed limited editions, printed from the original RAW file. Editions run from 100 down to 25 and are not reissued once they sell through.

04 ABOUT THE PRINTS

How they’re made

Made to order by Brett in Sydney, from the original RAW file. Each print is hand-signed and numbered before it ships.

Paper

Ilford Galerie cotton rag, 310 gsm. Acrylic on metallic gloss, 260 gsm.

Editions

Open in XS and S. Limited in M (100), L (50), XL (25). From $100.

Print tiers →

Lead time

Unframed: 5 to 10 business days. Framed and acrylic: 10 to 20.

06 PRESS

In the press

Leaving a secure job to work as an artist, trying to manage inconsistent income and tempering the self-doubt and self-criticism that came with it has been one of the most difficult things I've done.

The Guardian

Brett Patman·2019

theguardian.com

On the LC archive.

Holding a solo exhibition in one of the spaces I've photographed would also be a dream, particularly at a site with a strong community connection - so the images can be enjoyed by the people who made it matter.

The Guardian

Brett Patman·2019

theguardian.com

On the LC archive.

I'm not trying to make out like I'm some kind of mysterious urbex badass. Lost Collective isn't about me. It's about the places I shoot and even more about the connection that the people have to the sites.

Broadsheet

Brett Patman·2016

lostcollective.com

On the LC archive.

08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

You're subscribed.