Leaving a secure job to work as an artist, trying to manage inconsistent income and tempering the self-doubt and self-criticism that came with it has been one of the most difficult things I've done.
The Guardian
On the LC archive.
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01 The DairyVarious2018
ISO 5001/640f/5.6560mm
Series · 2 prints
The dairy was once a cornerstone of rural life,a place of early mornings, steady hands, and the quiet rhythm of milk cans and cattle. These small buildings, scattered across the countryside, played an essential role in sustaining communities built around the land. Photographed across remote farmland and pastoral regions, this collection captures the character of these structures,some still in use, others long abandoned, their timber walls and corrugated iron roofs bearing the wear of time and changing industry. Many of these dairies, once vital to families and local economies, now stand silent, replaced by larger operations or lost to history. Yet their presence on the landscape remains, markers of a way of life that endures in memory. Through these images, step into the quiet solitude of these timeworn spaces, where traces of the past still linger in the empty stalls and weathered doorways. Explore the collection below.
Hand-signed limited editions, printed from the original RAW file. Editions run from 100 down to 25 and are not reissued once they sell through.
Made to order by Brett in Sydney, from the original RAW file. Each print is hand-signed and numbered before it ships.
Paper
Ilford Galerie cotton rag, 310 gsm. Acrylic on metallic gloss, 260 gsm.
Lead time
Unframed: 5 to 10 business days. Framed and acrylic: 10 to 20.
Leaving a secure job to work as an artist, trying to manage inconsistent income and tempering the self-doubt and self-criticism that came with it has been one of the most difficult things I've done.
The Guardian
On the LC archive.
Holding a solo exhibition in one of the spaces I've photographed would also be a dream, particularly at a site with a strong community connection - so the images can be enjoyed by the people who made it matter.
The Guardian
On the LC archive.
I'm not trying to make out like I'm some kind of mysterious urbex badass. Lost Collective isn't about me. It's about the places I shoot and even more about the connection that the people have to the sites.
Broadsheet
On the LC archive.