Basement Pylons

Provenance

Camera
NIKON D7000
Lens
24.0-70.0 mm f/2.8
Settings
24mm · f/8.0 · 1.3s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Concrete columns run floor to ceiling, their surfaces buried under overlapping layers of spray-painted graffiti. Spray cans and scattered debris cover the floor. A low flat ceiling extends across a wide, open floor plate. Grimy industrial windows line the far wall, admitting filtered light into the interior.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.

Returns Damaged in transit? We replace it. Full policy →

Ships within 10 business days · signed & numbered

In situ

Basement Pylons at Abandoned Bakery, unframed print displayed in situ on a wall.Basement Pylons at Abandoned Bakery, white-framed print displayed in situ on a wall.Basement Pylons at Abandoned Bakery, black-framed print displayed in situ on a wall.Basement Pylons at Abandoned Bakery, raw timber-framed print displayed in situ on a wall.Basement Pylons at Abandoned Bakery, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Basement Pylons
Series
Abandoned Bakery (ABBCO Bakery)
Catalogue
ABA-003
Process
Giclée
Captured
8 November 2015
Camera
NIKON D7000
Lens
24.0-70.0 mm f/2.8
Aperture
f/8.0
Shutter
1.3s s
ISO
100
Focal length
24 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Leichhardt, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Leichhardt, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

Concrete columns run floor to ceiling across a wide, open floor plate, every surface buried under overlapping layers of spray paint. Spray cans and debris are scattered across the ground. A low flat ceiling stretches the length of the space, and grimy industrial windows line the far wall. By 2015, when this photograph was taken, the ABBCO Bakery at Leichhardt had been long abandoned, the building given over to graffiti writers and whatever was left behind. The company that built the Leichhardt facility had its origins at 92-96 Percival Road, Stanmore, where a large brick bakery was built in 1910. The NSW Government purchased it in 1914, establishing the State Bakery to regulate bread prices and prevent wartime profiteering. Around 1925, the State Bakery was sold into private hands and continued operating as the Automatic Bread Baking Company, known as ABBCO. By at least April 1941, the company was running an industrial-scale baking operation at the Leichhardt site, where Mr Justice Maxwell visited the facility during a Federal Royal Commission investigating a ministerial reduction of a fine imposed on the company. By 1973, the Leichhardt operation was described by the secretary of the Baking Trade Employees' Union of NSW as the biggest independent bakery in Australia. Two roll machines produced six thousand dozen rolls per hour. Bread travelled through a 65-foot oven, then circulated on ceiling-mounted conveyer belts for a 50- to 60-minute cooling period before slicing and distribution. Around 100 types of bread left the factory via 22 retail shops and wholesale channels across Sydney. In September 1974, the bakery baked a 140-foot loaf for the Freedom from Hunger Campaign, twisted into a U-shape because of traffic difficulties, then carried through the city streets by a dozen bakers' apprentices and displayed at Martin Place. The building was abandoned by the time Brett Patman photographed it in 2015. It has since been demolished. A Dan Murphy's liquor store, operated by Endeavour Drinks, opened on the site around 2016 on land owned by RailCorp.

04 FROM THE FIELD NOTES

Concrete columns rise through a wide, open floor plate, every surface buried under years of layered graffiti. Spray cans and debris scatter across the ground. At the far end, grimy industrial windows admit what light remains. By the time this photograph was taken in 2015, the ABBCO Bakery at Leichhardt had been abandoned, its production floor given over to paint and debris. The building has since been demolished, replaced by a Dan Murphy's liquor store on land owned by RailCorp.

Brett Patman

Abandoned Bakery (ABBCO Bakery)

The series

Abandoned Bakery (ABBCO Bakery)

2015 · 14 photographs

ABBCO Bakery ran at 7 Darley Road, Leichhardt, on the inner-west fringe of Sydney. The site was on the original 1811 Macquarie Gift land grant to Ensign Hugh Piper, adjacent to the former Goods Line freight rail corridor between Sydney Yard and Darling Harbour. Built around 1950, the bakery was, by the early 1970s, the largest independent bakery in Australia. Director and part-owner Bill McLeod ran it with his brother and sister, baking 100 types of bread for distribution across Sydney through ABBCO's own 22 retail shops and through wholesale outlets. The site later passed through State Rail and Goodman Fielder ownership and had brief lives as a limousine hire and furniture manufacturer before falling out of use. The Lost Collective photographs were made during its abandoned period. The bakery has since been demolished. A Dan Murphy's now stands on the site.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

You're subscribed.