Office Hallway

Provenance

Camera
NIKON D7000
Lens
24.0-70.0 mm f/2.8
Settings
29mm · f/8.0 · 1/60 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A long office hallway, unoccupied, with grimy windows along one side admitting angled sunlight. Paint has peeled from the walls in wide sheets, exposing earlier layers beneath. The floor is bare. No furniture or fittings remain visible. The corridor recedes into shadow at the far end.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Office Hallway at ATL Building, unframed print displayed in situ on a wall.Office Hallway at ATL Building, white-framed print displayed in situ on a wall.Office Hallway at ATL Building, black-framed print displayed in situ on a wall.Office Hallway at ATL Building, raw timber-framed print displayed in situ on a wall.Office Hallway at ATL Building, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Office Hallway
Series
ATL Building
Catalogue
ABU-007
Process
Giclée
Captured
16 October 2015
Camera
NIKON D7000
Lens
24.0-70.0 mm f/2.8
Aperture
f/8.0
Shutter
1/60 s
ISO
100
Focal length
29 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Meadowbank, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Meadowbank, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The hallway runs straight and silent, paint peeling from the walls in long curling sheets that have worked loose over years of neglect. Sunlight filters through windows filmed with grime, reaching the bare floor at a low angle and picking out the texture of what has been left behind: layers of paint, each representing a different decade of occupation, now exposed together. Nothing remains in the corridor itself. Doors are closed or missing. The far end recedes into shadow. The ATL Building at 37 Nancarrow Avenue, Meadowbank was purpose-built in 1947 for Automatic Totalisators Limited, the company founded by Sir George Alfred Julius in 1917. It was the company's third manufacturing site, succeeding premises at Alice Street, Newtown and 182 Chalmers Street, near Central Station. The Meadowbank complex comprised two buildings: one housing the factory floor, warehouse, and offices; a second providing dressing rooms, showers, and a canteen for the workforce. The road itself, Nancarrow Avenue, was created as part of the factory development. ATL manufactured mechanical and electromechanical totalisator systems for racecourse betting, along with automatic turnstiles, hospital communication equipment, vehicle registration plates, and precision tooling. By 1970, equipment made at Meadowbank was in use at racing centres across 29 countries. In 1966 the company developed the world's first computer totalisator system. Manufacturing at the site declined through the 1970s and 1980s as electronic systems replaced the electromechanical machines. After ATL's manufacturing operations were sold, first to the Smorgan group in 1980 and then to AWA around 1988, the factory building was repurposed as a multi-tenant facility accommodating a gym, a church, a dance school, and office space. The building was locally listed as a heritage item under Ryde LEP No 105 in 2003. Despite that listing, the Planning Assessment Commission approved it in principle for demolition in 2013 as part of the Shepherds Bay Urban Renewal Project. The building was demolished around 2016. The site is now residential apartments. This photograph, made in 2015, records the office hallway in its final period of vacancy before demolition. The peeling paint is the most visible record of the building's long second life as generic commercial space, layered over the fabric of a precision manufacturing operation that had supplied the world's racecourses for decades.

04 FROM THE FIELD NOTES

Sunlight reaches through grimy windows into a hallway that once connected the offices of Automatic Totalisators Limited at Nancarrow Avenue, Meadowbank. The paint has given up its grip on the walls, pulling away in wide curling sheets to expose what was underneath. The ATL Building was purpose-built in 1947 as the company's third and final manufacturing site, producing mechanical and electromechanical totalisator systems that were exported to racecourses across 29 countries. By the time this photograph was made in 2015, the building had long passed through a second life as a gym, church, and office complex before reaching this state of vacancy.

Brett Patman

ATL Building

The series

ATL Building

2015 · 14 photographs

The ATL Building was the Meadowbank factory of Automatic Totalisers Limited, the company that built the mechanical and electromechanical totaliser machines for racecourse betting, ticket printing, and department-store sales recording. Designed in 1947 by Julius Poole and Gibson for Sir George Julius, the engineer who patented the automatic totaliser, it ran as two Art Deco buildings on the same site, one for the factory, warehouse, and offices, the other for the dressing rooms, showers, and canteen. The toolroom was said to be the largest and best equipped in the southern hemisphere. A second toolroom was added in 1975. As totaliser technology gave way to computers, the factory ceased production and the buildings were repurposed as a gym, church, office space, and dance school before being demolished in 2016 for apartment redevelopment.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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