Workshop Bay

Provenance

Camera
NIKON D7000
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 1.0 sec · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Empty open-compartment shelving units against a rendered brick wall. Exposed pipes run overhead. A faded sign reading 'Fire Extinguisher' is mounted on the wall above the shelving. Two windows sit in the lower left wall, one pane left open. Graffiti marks the wall near the windows, including a red spider-like figure on the concrete floor. The floor is bare concrete.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.

Returns Damaged in transit? We replace it. Full policy →

Ships within 10 business days · signed & numbered

In situ

Empty shelving units and a faded fire extinguisher sign on the rendered wall of a workshop bay at Awaba Colliery, with graffiti near two windows and exposed pipes overhead.Empty shelving units and a faded fire extinguisher sign on the rendered wall of a workshop bay at Awaba Colliery, with graffiti near two windows and exposed pipes overhead.Empty shelving units and a faded fire extinguisher sign on the rendered wall of a workshop bay at Awaba Colliery, with graffiti near two windows and exposed pipes overhead.Empty shelving units and a faded fire extinguisher sign on the rendered wall of a workshop bay at Awaba Colliery, with graffiti near two windows and exposed pipes overhead.Empty shelving units and a faded fire extinguisher sign on the rendered wall of a workshop bay at Awaba Colliery, with graffiti near two windows and exposed pipes overhead.
01 PROVENANCE

Print datasheet

Title
Workshop Bay
Series
Awaba Colliery
Catalogue
AWB-016
Process
Giclée
Captured
20 December 2015
Camera
NIKON D7000
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1.0 sec s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Location
Awaba
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Awaba

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The shelving is empty now, each open compartment stripped of whatever tools, parts, or equipment it once held. A faded sign above reads 'Fire Extinguisher'. Pipes run overhead. Two windows let in flat light, one pane still swung open as though someone left in a hurry and never came back. A red graffiti figure marks the wall near the floor. The rendered brickwork and concrete are the same surfaces that surrounded maintenance workers through decades of underground coal mining. Awaba Colliery sits at 242 Wilton Road, approximately 1 km south of Awaba township in the City of Lake Macquarie. The mine was established in 1947 on land gazetted for state mining operations that June, with 8,500 acres reserved for the purpose. Premier James McGirr formally opened it on 14 July 1948. It was built specifically to supply thermal coal to Wangi Power Station, and a dedicated railway branch line was constructed in 1954 to carry the coal there. The mine was known officially as Awaba State Coal Mine from its opening until 1994, when it was renamed Awaba Colliery. Ownership passed from the State Coal Mines Control Board to the State Mines Control Authority in March 1950, then to the Electricity Commission of New South Wales on 1 July 1973, and eventually to Centennial Coal Company Ltd in August 2002 as part of a $331 million purchase of the state's PowerCoal portfolio. Mining was carried out by bord-and-pillar methods using continuous miners in the Great Northern Seam. In the final years before closure, the workforce had returned to pillar extraction, recovering coal from pillars left during earlier first-workings development. Total production across the operational life exceeded 35 million tonnes. When coal reserves were finally exhausted in March 2012, around 85 workers remained. Eleven retired; the rest transferred to other Centennial operations. This photograph was made in 2015, three years after the last shift. The surface buildings remained standing, the shelves empty, the signs still in place.

04 FROM THE FIELD NOTES

The workshop bay at Awaba Colliery sits emptied now, its shelving bare and its fire extinguisher sign fading above pipes that once served a working surface operation. The colliery ran from 1947 to 2012, when coal reserves in the Great Northern Seam were finally exhausted after more than 35 million tonnes of thermal coal had come out of the ground. At closure, around 85 workers remained on site. The workshop and its surrounding surface buildings supported that workforce across 65 years of continuous underground mining by bord-and-pillar methods.

Brett Patman

Awaba Colliery

The series

Awaba Colliery

1947 to 2012 · 24 photographs

Awaba Colliery worked the Great Northern Seam at Awaba, on the western side of Lake Macquarie in New South Wales, from 1947 until 2012. The state opened the mine to supply thermal coal to Wangi Power Station, and from 1954 a branch railway carried the coal there. It was a drift mine, entered by an inclined tunnel rather than a vertical shaft, so it never carried a headframe. Mining ended in March 2012 when the workable coal in the seam ran out, and the entries were sealed that year.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

You're subscribed.