Walkway
Provenance
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Settings
- 105mm · f/8.0 · 1/15 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A grey metal walkway spans the quarry floor, photographed from above or at grade. Structural members show rust and surface deterioration. The excavated walls of the quarry void are visible beyond the walkway. The scale of the void surrounds the structure on multiple sides.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Walkway
- Series
- Graffiti & Urban Decay
- Catalogue
- GUD-013
- Process
- Giclée
- Captured
- 7 November 2015
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 1/15 s
- ISO
- 100
- Focal length
- 105 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Hornsby, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Hornsby, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
A metal walkway crosses the floor of Hornsby Quarry, suspended above the excavated dolerite that built northern Sydney's roads for the better part of a century. The quarry operated from around 1905 until 2002, with the void reaching approximately 120 metres deep at the southern face. By 2015, when this photograph was made, the site had been in Council hands for over a decade, the machinery gone and the walkway left to weather inside one of the largest industrial voids in suburban Sydney.
Brett Patman
The series
Graffiti & Urban Decay
Buildings don't stay empty. Once the owners leave, somebody else arrives. Walls that were blank become a record of who came through and when. Graffiti isn't vandalism on these surfaces , it's the only remaining evidence that anyone cared enough to be here.Urban spaces mid-collapse. The gap between what a building was built for and what it became.
Print sizes
The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.
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