Blue Mountains Gday Motel
Provenance
- Camera
- NIKON D850
- Lens
- 24.0-70.0 mm f/2.8
- Settings
- 24mm · f/8.0 · 2s · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
The Gday Motel in the Blue Mountains stands silent. Paint peels from the faded sign, revealing layers of past colours. Empty rooms stare out, their windows reflecting a grey sky. Dust settles on the reception counter, a forgotten welcome.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Blue Mountains Gday Motel
- Series
- Hotel Motel 101
- Catalogue
- HMO-029
- Process
- Giclée
- Captured
- 4 April 2018
- Camera
- NIKON D850
- Lens
- 24.0-70.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 2s s
- ISO
- 100
- Focal length
- 24 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
Two storeys of cream brick face an empty car park. Rooms 3, 4 and 5 sit at ground level, their pale doors numbered in dark block type. Window-mounted air conditioners jut from the brickwork between wire-grilled security screens. A single timber bench sits against the wall. Upstairs, teal-painted steel columns support the walkway railing, and room 18 is visible behind a locked gate. Fluorescent light washes the facade in flat, cold white. Every parking bay is vacant. No cars. No people. Just bitumen, line markings and striped concrete wheel stops.
Brett Patman
The series
Hotel Motel 101
Hotel Motel 101 is a series of one hundred and one motels photographed in 2018 across three runs out of Sydney. North to the Central Coast, west through the Blue Mountains to the central western tablelands, south down the NSW South Coast. The count crept up from a planned seventy toward the round number, plus one for safety.
Print sizes
The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.
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