Hotel Motel 101 →

Pacific Garden Hotel

New South Wales, Australia · Photographed in New South Wales, 2015

Pale brick and teal doors. Two storeys of motel rooms face a mown lawn at night. Wall-mounted floodlights pool warm light across the facade. A steel staircase rises from a concrete landing at centre.
Edition Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$37.00 USD
Size XS
Type Unframed
Colour N/A

Ships within 10 business days · signed & numbered

In situ

unframedwhite frameblack frameraw frameglass

Print datasheet · certificate of authenticity

The data is the authenticity.

Paper
Ilford Smooth Cotton Rag 310 gsm
Process
Giclée
Paper size
290 × 200 mm
Year photographed
2015
Location
New South Wales, Australia
Printed
Sydney, 2026

COA · Every print ships with a signed certificate, edition number and paper stock reference.

About this print

Two storeys of brown brick face the night at the Pacific Garden Hotel. Blue doors repeat at even intervals, numbered 201 through 204 along the upper walkway, the ground floor matching below. A steel staircase with mesh treads and tubular railings climbs from a concrete pad set into damp grass. Security lights throw warm cones across the brickwork. Every door is closed. The lawn glistens. There are no cars, no movement, no figures on the walkways. The light from the security fittings is the only thing changing in the frame.

The Pacific Garden was one of the hotel-motels along the highway, an end of the typology that sat closer to the publican model than to the pure motor inn. Hotel Motel 101 photographed 102 traditional Australian motor inns across three runs out of Sydney over 2018, north along the Central Coast, west through the Blue Mountains, south down the start of the South Coast. Drive-thru reception, parking in front of the rooms, low rise. Chain motels were skipped. The series was shot at night because that is when these buildings are at their most photographic, lit only by the fittings the operator had paid to leave on, and quiet enough that the architecture had nothing to compete with.