Long Timber Table

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 1/5 sec · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A long timber table with turned legs sits on a floor scattered with straw. The tabletop is dusty, catching light from windows on either side. The ceiling is bare, with exposed rafters and battens. A single pendant light fitting hangs near a central partition. The walls and floor show the wear of a long-disused rural interior.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
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Type
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Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

A long timber table with turned legs stands on a straw-strewn floor inside a derelict outbuilding at Mill Pond Farm, Jembaicumbene, with exposed rafters overhead and light entering from windows on either side.A long timber table with turned legs stands on a straw-strewn floor inside a derelict outbuilding at Mill Pond Farm, Jembaicumbene, with exposed rafters overhead and light entering from windows on either side.A long timber table with turned legs stands on a straw-strewn floor inside a derelict outbuilding at Mill Pond Farm, Jembaicumbene, with exposed rafters overhead and light entering from windows on either side.A long timber table with turned legs stands on a straw-strewn floor inside a derelict outbuilding at Mill Pond Farm, Jembaicumbene, with exposed rafters overhead and light entering from windows on either side.A long timber table with turned legs stands on a straw-strewn floor inside a derelict outbuilding at Mill Pond Farm, Jembaicumbene, with exposed rafters overhead and light entering from windows on either side.
01 PROVENANCE

Print datasheet

Title
Long Timber Table
Series
Mill Pond Farm
Process
Giclée
Captured
21 January 2022
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1/5 sec s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Location
Jembaicumbene, NSW, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Jembaicumbene, NSW, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A long timber table with turned legs stands near the centre of the room, its top filmed with dust, straw spread across the floorboards around it. Light falls through windows on either side, catching the surface and throwing the grain of the timber into relief. A bare ceiling of exposed rafters and battens runs the length of the space above, with a single pendant fitting suspended near a central partition. Whatever this room was used for, the table is now the only piece of furniture left in it. Mill Pond Farm sits at Jembaicumbene in the Southern Tablelands of New South Wales, roughly 10 kilometres south-west of Braidwood. The property's origins go back to the 1830s, when William Henry Roberts established a pastoral holding here in partnership with his brother-in-law Andrew Badgery. The timber wagon barn and stables on the property followed in the 1840s, built as the estate expanded into wheat cropping. In 1859, Charles Dransfield constructed a four-storey flour mill on the site using bricks manufactured on the property and granite sourced from the farm itself, with massive hardwood beams brought down from the Budawang Ranges. The mill opened in January 1860 as the Jembaicumbene Steam Flour Mills, its steam engine and fittings supplied by P.N. Russell and Co. of Sydney. Milling operations continued until 1885, when they ceased entirely. The property's outbuildings, some of them among the oldest surviving structures on the site, have passed through more than 180 years of use and disuse since the wagon barn and stables first went up. The photograph made here in 2022 records what remains: a table, a floor of straw, a ceiling open to its own bones, and light moving through windows that have been there for a long time.

04 FROM THE FIELD NOTES

A long timber table with turned legs occupies the centre of a derelict room inside Mill Pond Farm at Jembaicumbene, New South Wales. Straw covers the floor, and dust has settled across the tabletop. Exposed rafters and battens span the ceiling overhead, a single pendant fitting the only reminder of a more organised interior. The Roberts and Badgery pastoral estate was established on this land in the 1830s, with the timber wagon barn and stables following in the 1840s. The farm has moved through several lives since, each leaving its mark on the buildings that remain.

Brett Patman

Mill Pond Farm

The series

Mill Pond Farm

2022 · 53 photographs

Mill Pond Farm sits in Jembaicumbene, near Braidwood, on land first worked as the region's earliest dairy in the 1830s. In 1859 a Yorkshire-born goldminer named Charles Dransfield built a four-storey Steam Flour Mill on the property, designed by Sydney architect Charles Langley. A 24-horsepower steam engine ground wheat, sawed timber, and crushed quartz to extract gold. The mill ran until 1885, when the railway arriving in Tarago undercut local flour prices, the financial depression hit, and repeated wheat rust outbreaks finished the run. The mill, stables, and dairy buildings sat unworked for nearly a century. Restoration is in progress.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
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