Top of the Mill
Provenance
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A timber ladder leans against the whitewashed brick gable wall of Mill Pond Farm's upper floor. Two red-framed windows frame open paddocks beyond. Exposed roof trusses cross overhead. Dust on the floorboards.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Top of the Mill
- Series
- Mill Pond Farm
- Catalogue
- MPF-003
- Process
- Giclée
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Jembaicumbene, New South Wales, Australia
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
A timber ladder leans against the gable wall, its rungs cracked and splintered. The wall is rough-rendered brick, pale and dusty. Two six-pane windows sit symmetrically either side, their frames painted a faded red-brown. Green paddock light spills through the glass and falls across bare hardwood floorboards. Exposed roof trusses and corrugated sheeting rise to a sharp pitch above. The room is empty. The air feels still and dry.
Brett Patman
The series
Mill Pond Farm
Mill Pond Farm sits in Jembaicumbene, near Braidwood, on land first worked as the region's earliest dairy in the 1830s. In 1859 a Yorkshire-born goldminer named Charles Dransfield built a four-storey Steam Flour Mill on the property, designed by Sydney architect Charles Langley. A 24-horsepower steam engine ground wheat, sawed timber, and crushed quartz to extract gold. The mill ran until 1885, when the railway arriving in Tarago undercut local flour prices, the financial depression hit, and repeated wheat rust outbreaks finished the run. The mill, stables, and dairy buildings sat unworked for nearly a century. Restoration is in progress.
Print sizes
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