Cinema Signboards

Provenance

Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Settings
17mm · f/9.0 · 1/1600 · ISO 400
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Weathered cinema signboards stand on a quiet Yubari street. Their vibrant colours have dulled, now a muted palette against the grey, forgotten streetscape.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Cinema Signboards at Streetscapes of Yubari, a corrugated iron warehouse stands under flat grey sky.Cinema Signboards at Streetscapes of Yubari, a corrugated iron warehouse stands under flat grey sky.Cinema Signboards at Streetscapes of Yubari, a corrugated iron warehouse stands under flat grey sky.Cinema Signboards at Streetscapes of Yubari, a corrugated iron warehouse stands under flat grey sky.Cinema Signboards at Streetscapes of Yubari, a corrugated iron warehouse stands under flat grey sky.
01 PROVENANCE

Print datasheet

Title
Cinema Signboards
Series
Streetscapes of Yubari
Catalogue
SYU-003
Process
Giclée
Captured
28 April 2016
Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Aperture
f/9.0
Shutter
1/1600 s
ISO
400
Focal length
17 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Yubari, Hokkaido, Japan
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Yubari, Hokkaido, Japan

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A row of hand-painted cinema signboards line the side of a building in Yubari, Hokkaido. Each board advertises a different film, the titles painted in Japanese and Roman script. The films include Seven Samurai, Random Harvest, Death Wish, Kurobe no Taiyo, and Mabuta no Haha. The boards are weathered. The paint has chipped. The artwork ranges from professional cinema-poster style to more naive renderings. The boards are arranged across the long facade of what was once an active cinema street. The street is otherwise empty. Visitors during the festival weeks see the same signs, lit differently because more people are walking past them.

Yubari hosted the Yubari International Fantastic Film Festival from 1990, originally as part of the city's tourism push to replace its lost coal-industry economy. The festival drew genre-film directors and audiences from Japan and overseas, and brought a brief annual pulse of activity to a town that was otherwise quiet. The hand-painted signboards along the cinema street were one of the visible features of the festival period. The festival ran into financial trouble during Yubari's 2007 bankruptcy and was suspended, but later restarted in modified form. The signboards in this photograph are part of the festival's permanent street signage, kept up between annual events.

04 FROM THE FIELD NOTES

A corrugated iron warehouse stands under flat grey sky. Its gable wall is clad in mismatched metal sheets, some rusted copper-brown, others pale zinc. Two large hand-painted cinema billboards cover the facade. On the left, a Japanese poster for *Die Hard*. On the right, a larger board advertising *South Pacific*, its colours still vivid against the dulled metal. Blue tarpaulins patch the lower walls. Weeds push through cracks in the wet asphalt.

Brett Patman

Streetscapes of Yubari

The series

Streetscapes of Yubari

2018 · 54 photographs

Yūbari is a coal-mining city in central Hokkaido. Founded in 1943, its population peaked at around 120,000 in the 1960s and now sits at about 6,400. The colliery closed in the 1980s. The city's attempt to recover through tourism failed; in 2007 it became the first Japanese municipality to declare bankruptcy, owing 35.3 billion yen. These streetscapes were taken between the houses, shops, and schools the town no longer needs - most empty, some half-collapsed, some still in use by the people who stayed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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