Landing
Provenance
- Camera
- NIKON D810
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 24mm · f/8.0 · 1/250 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A concrete landing crumbles in Yubari, Japan. Weeds fracture the surface. This forgotten platform suggests a past entrance, now silent within the decaying streetscape of the former mining town.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ
Print datasheet
- Title
- Landing
- Series
- Streetscapes of Yubari
- Catalogue
- SYU-019
- Process
- Giclée
- Captured
- 28 April 2016
- Camera
- NIKON D810
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 1/250 s
- ISO
- 100
- Focal length
- 24 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Yubari, Hokkaido, Japan
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Yubari, Hokkaido, Japan
Map · Mapbox · OpenStreetMap
A concrete-walled pond choked with bright green algae sits in the foreground. Blue fibreglass paddle boats lie collapsed against one corner, half-buried in the wet mat of growth. Beyond, a low brick and metal-roofed pavilion rises from the edge of a still lake. Rust streaks the pyramidal roof in long orange trails. Bare birch and brown hillside climb behind it under flat grey cloud.
Brett Patman
The series
Streetscapes of Yubari
Yūbari is a coal-mining city in central Hokkaido. Founded in 1943, its population peaked at around 120,000 in the 1960s and now sits at about 6,400. The colliery closed in the 1980s. The city's attempt to recover through tourism failed; in 2007 it became the first Japanese municipality to declare bankruptcy, owing 35.3 billion yen. These streetscapes were taken between the houses, shops, and schools the town no longer needs - most empty, some half-collapsed, some still in use by the people who stayed.
Print sizes
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