Seven Samurai

Provenance

Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Settings
24mm · f/9.0 · 1/160 · ISO 400
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A hand-painted signboard for Seven Samurai covers most of the upper facade of a two-storey building on the Yubari Kinema Kaido, with Japanese text naming Akira Kurosawa as director legible beneath the title. Political campaign posters fill the lower right window, and glass block panels flank the ground-floor entrance. Wet asphalt reflects overcast light across the foreground.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Seven Samurai at Streetscapes of Yubari, unframed print displayed in situ on a wall.Seven Samurai at Streetscapes of Yubari, white-framed print displayed in situ on a wall.Seven Samurai at Streetscapes of Yubari, black-framed print displayed in situ on a wall.Seven Samurai at Streetscapes of Yubari, raw timber-framed print displayed in situ on a wall.Seven Samurai at Streetscapes of Yubari, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Seven Samurai
Series
Streetscapes of Yubari
Catalogue
SYU-030
Process
Giclée
Captured
28 April 2016
Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Aperture
f/9.0
Shutter
1/160 s
ISO
400
Focal length
24 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Yubari, Hokkaido, Japan
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Yubari, Hokkaido, Japan

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

On the upper storey of a white clapboard building on a wet Yubari street, a large hand-painted billboard advertises Shichinin no Samurai, with Japanese text naming Akira Kurosawa as director legible beneath the title. Below it, the ground-floor window is covered entirely in political flyers. The building stands on a rain-slicked road, its paintwork worn, the street otherwise empty. The billboard is one of many painted across private residences, shopfronts, and vacant lots throughout Yubari City as part of Yubari Kinema Kaido, a designated cinema street whose signage carries the Cinegger bee mascot. The practice of painting film signboards directly onto the city's built fabric grew out of the Yubari International Fantastic Film Festival, which launched in February 1990, the same year the last coal mine in the city closed. Other films documented on facades throughout the city include Die Hard, South Pacific, Random Harvest, Kurobe no Taiyo, Jirochou Fuji, and Mabuta no Haha. The festival was part of a broader attempt to replace coal with tourism as the city's economic base. That strategy, pursued through the 1980s and 1990s with borrowed money, ultimately failed. Yubari filed for fiscal rehabilitation on 6 March 2007 with debts of approximately 35.3 billion yen. The festival was cancelled that year and revived the following year under community sponsorship. What the Kurosawa billboard records is the residue of that pivot. The film itself has nothing to do with Yubari. But the act of painting it onto the side of a clapboard building in a severely depopulated Hokkaido city, and leaving it there through decades of snowfall and rain, gives it a different kind of weight. The photograph was made in 2016, when Yubari's population had fallen to around a tenth of its 1960 peak of approximately 107,972.

04 FROM THE FIELD NOTES

A hand-painted signboard for Seven Samurai covers most of the upper facade of a two-storey building on the Yubari Kinema Kaido.

Brett Patman

Streetscapes of Yubari

The series

Streetscapes of Yubari

2018 · 54 photographs

Yūbari is a coal-mining city in central Hokkaido. Founded in 1943, its population peaked at around 120,000 in the 1960s and now sits at about 6,400. The colliery closed in the 1980s. The city's attempt to recover through tourism failed; in 2007 it became the first Japanese municipality to declare bankruptcy, owing 35.3 billion yen. These streetscapes were taken between the houses, shops, and schools the town no longer needs - most empty, some half-collapsed, some still in use by the people who stayed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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