Bottom Of The Hill

Provenance

Camera
NIKON Z 7
Lens
250.0-560.0 mm f/5.6
Settings
560mm · f/6.3 · 1/640 · ISO 320
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A timber woolshed sits low on a hillside, its corrugated iron roof showing rust streaks and peeling paint. The exterior walls carry weathering consistent with decades of exposure. Inside, shearing pens are visible, surfaces covered in dust and debris. Light enters the interior, picking out the pens and floor.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Bottom Of The Hill at The Woolshed, unframed print displayed in situ on a wall.Bottom Of The Hill at The Woolshed, white-framed print displayed in situ on a wall.Bottom Of The Hill at The Woolshed, black-framed print displayed in situ on a wall.Bottom Of The Hill at The Woolshed, raw timber-framed print displayed in situ on a wall.Bottom Of The Hill at The Woolshed, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Bottom Of The Hill
Series
The Woolshed
Catalogue
TWS-003
Process
Giclée
Captured
22 December 2018
Camera
NIKON Z 7
Lens
250.0-560.0 mm f/5.6
Aperture
f/6.3
Shutter
1/640 s
ISO
320
Focal length
560 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Various, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

The woolshed sits low on the hillside, its profile familiar to anyone who has driven the back roads of rural NSW. Corrugated iron cladding, now streaked with rust and carrying patches of peeling paint, spans the roof over a timber frame. The exterior reads as it does across hundreds of surviving pastoral structures across the state: built to work, not to impress, and shaped entirely by what the job required. Corrugated galvanised iron became the dominant roofing material for Australian rural buildings from the 1850s onward, gradually replacing bark and split-timber shingles across the pastoral districts. Its durability and low maintenance cost suited the conditions. The timber framing beneath it on structures like this one was typically local hardwood, red gum, ironbark, or stringybark depending on the region, jointed with mortise-and-tenon and lap methods standard to 19th and early 20th century construction. Many surviving woolsheds across NSW date from the 1880s to the 1920s, the expansion period of the pastoral industry when the wool clip was among Australia's most significant export earners. Inside the shed, the shearing pens are still. Dust and debris have settled across the floor and pen rails in the years since regular work stopped. The pens are the fundamental unit of a working woolshed's interior, the system by which sheep moved from holding yard to the shearing board. The shearing board itself, where numbered stands once ran mechanical overhead drives for the handpiece, would have been the noisiest part of the building during a season. None of that noise remains. The pattern here is common across rural NSW. As station consolidation, prolonged drought, and shifting land use reduced the number of operating sheep properties from the 1970s onward, smaller woolsheds fell progressively out of use. Some were maintained. Others were left as they stood. This photograph, made in 2018, records what the shed holds now: the structure, the pens, the light, and the accumulated quiet.

04 FROM THE FIELD NOTES

The woolshed sits low on the hill, its corrugated iron roof carrying rust and peeling paint in layers accumulated over years. Inside, the shearing pens are still. Dust and debris have settled across the boards and pen rails where, during shearing season, the shed would have run flat out. Woolsheds like this one were the operational heart of any NSW pastoral holding, built in timber and iron to last, then left when the work moved on or the flock diminished. Many smaller sheds across NSW fell out of use from the 1970s onward. This one remains, the structure largely intact, holding the shape of the work it once contained.

Brett Patman

The Woolshed

The series

The Woolshed

2016 · 29 photographs

The Woolshed is a series of working and former working woolsheds across south-eastern New South Wales, predominantly the south-east hinterland and Snowy Monaro region. Most are timber-framed and clad in corrugated iron or timber weatherboards, weathered through decades of use. Some still shear; many do not, as farming priorities have shifted and shearing technology has changed. Woolsheds were sometimes important community meeting points, used for dances and other gatherings. The buildings were always built for function - appearance was never a factor in their design.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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