Crow On The Shed
Provenance
- Camera
- NIKON Z 7
- Lens
- 250.0-560.0 mm f/5.6
- Settings
- 560mm · f/5.6 · 1/640 · ISO 720
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A dark crow rests on the corrugated iron of an abandoned woolshed. The weathered structure, once central to sheep farming, now endures the elements in quiet decay.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ
Print datasheet
- Title
- Crow On The Shed
- Series
- The Woolshed
- Catalogue
- TWS-022
- Process
- Giclée
- Captured
- 30 December 2018
- Camera
- NIKON Z 7
- Lens
- 250.0-560.0 mm f/5.6
- Aperture
- f/5.6
- Shutter
- 1/640 s
- ISO
- 720
- Focal length
- 560 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Various, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- National Trust of Australia (NSW), 2016 Heritage Award, Multimedia
A corrugated iron woolshed sits low against open grazing country. Rust streaks the galvanised walls in long vertical runs. The roofline sags slightly off-centre. Dried grass and dead thistles press up against the base. A single crow perches on the far corner of the roof, still and dark against the pale steel. Behind the shed, green pasture rolls uphill into haze. Scattered trees dot the distant slope. The light is flat and cool, overcast, mid-morning.
Brett Patman
The series
The Woolshed
The Woolshed is a series of working and former working woolsheds across south-eastern New South Wales, predominantly the south-east hinterland and Snowy Monaro region. Most are timber-framed and clad in corrugated iron or timber weatherboards, weathered through decades of use. Some still shear; many do not, as farming priorities have shifted and shearing technology has changed. Woolsheds were sometimes important community meeting points, used for dances and other gatherings. The buildings were always built for function - appearance was never a factor in their design.
Print sizes
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