Dalgety Woolshed

Provenance

Camera
NIKON Z 7
Lens
250.0-560.0 mm f/5.6
Settings
460mm · f/5.6 · 1/500 · ISO 400
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Weathered timber framing and corrugated iron cladding. Interior shearing pens with worn floorboards, dust settled across the boards. The pens are empty, gates left in place. Light falls across the timber surfaces, showing grain and age.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Dalgety Woolshed at The Woolshed, unframed print displayed in situ on a wall.Dalgety Woolshed at The Woolshed, white-framed print displayed in situ on a wall.Dalgety Woolshed at The Woolshed, black-framed print displayed in situ on a wall.Dalgety Woolshed at The Woolshed, raw timber-framed print displayed in situ on a wall.Dalgety Woolshed at The Woolshed, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Dalgety Woolshed
Series
The Woolshed
Catalogue
TWS-023
Process
Giclée
Captured
30 December 2018
Camera
NIKON Z 7
Lens
250.0-560.0 mm f/5.6
Aperture
f/5.6
Shutter
1/500 s
ISO
400
Focal length
460 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Various, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

Near Dalgety on the New South Wales Monaro, this woolshed survives in the condition common to many pastoral structures built for hard use and maintained only as long as the work demanded it. The corrugated iron cladding holds the roof together. Inside, the shearing pens remain partitioned by timber rails worn smooth along every edge where sheep pressed through and shearers braced themselves across a long day on the board. The floorboards are dense hardwood, the kind of local timber, red gum or ironbark most likely in this country, that outlasts the industry it was cut to serve. Woolsheds of this character were typically framed in the 1880s to 1920s, during the expansion of the pastoral leasehold and freehold system across NSW. Corrugated galvanised iron became the standard roofing material from the 1850s, replacing earlier bark and split-timber shingles because it suited the climate and needed almost no maintenance. The framing beneath it was mortise-and-tenon hardwood joinery, built to carry the weight of the iron and the movement of large mobs through the pens below. The shed was the operational centre of the station each shearing season. In NSW, that traditionally meant spring, September through November, when itinerant shearing teams arrived to work through the numbered stands. Each stand was served by a mechanical overhead drive for the handpiece. Skirted fleeces moved from the board to the wool room, then to the press, then into branded bales for transport to market. The wool clip drove the Australian colonial and early federation economy for much of the 19th and 20th centuries, with merino sheep at the centre of it. Merino were first introduced to Australia in 1797 and became the foundation of the pastoral industry within a generation. This photograph, made in 2018, records what remains after the work has moved on: the pens, the boards, the iron, and the dust.

04 FROM THE FIELD NOTES

Near Dalgety on the Monaro, a woolshed stands in the condition that time and reduced use leave behind, corrugated iron intact overhead, the shearing pens still partitioned by timber rails worn smooth by decades of use. The floorboards carry the marks of generations of shearers and sheep. Sheds like this were the operational centre of any wool-producing station, where itinerant teams worked through the stands each spring, handpieces overhead, fleeces skirted and pressed into baled wool for transport.

Brett Patman

The Woolshed

The series

The Woolshed

2016 · 29 photographs

The Woolshed is a series of working and former working woolsheds across south-eastern New South Wales, predominantly the south-east hinterland and Snowy Monaro region. Most are timber-framed and clad in corrugated iron or timber weatherboards, weathered through decades of use. Some still shear; many do not, as farming priorities have shifted and shearing technology has changed. Woolsheds were sometimes important community meeting points, used for dances and other gatherings. The buildings were always built for function - appearance was never a factor in their design.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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