Deddick Valley Woolshed

Provenance

Camera
NIKON D850
Lens
24.0-70.0 mm f/2.8
Settings
35mm · f/8.0 · 1/250 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Timber-framed woolshed interior and exterior, corrugated iron cladding heavily rusted. Weathered hardwood framing visible. Empty catching pens, no equipment or livestock present. Natural light falling across decayed timber boards. Structure standing but in advanced decay.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Deddick Valley Woolshed at The Woolshed, unframed print displayed in situ on a wall.Deddick Valley Woolshed at The Woolshed, white-framed print displayed in situ on a wall.Deddick Valley Woolshed at The Woolshed, black-framed print displayed in situ on a wall.Deddick Valley Woolshed at The Woolshed, raw timber-framed print displayed in situ on a wall.Deddick Valley Woolshed at The Woolshed, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Deddick Valley Woolshed
Series
The Woolshed
Catalogue
TWS-010
Process
Giclée
Captured
26 December 2018
Camera
NIKON D850
Lens
24.0-70.0 mm f/2.8
Aperture
f/8.0
Shutter
1/250 s
ISO
100
Focal length
35 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Various, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

Near Deddick Valley, a woolshed stands in a state of advanced decay, its corrugated iron walls rusting unevenly, the weathered hardwood framing grey and checked from decades of sun and wet. The catching pens are empty. No equipment remains. The structure holds its shape, but only just. Woolsheds like this one were built to a practical logic that changed little across generations. Timber framing, most commonly local hardwood, red gum, ironbark, or stringybark depending on what grew nearby, was mortise-and-tenon joined and clad in corrugated galvanised iron, which had become the dominant rural roofing material from the 1850s onward. The layout followed the work: catching pens feeding the shearing board, a wool room where fleeces were skirted and classed, a wool press for baling. The stand count told you the size of the operation. The shed was the centre of the station's year. The Australian wool industry built much of its infrastructure during the pastoral expansion of the 1880s to 1920s. NSW and Victoria were the primary producing states, with merino the dominant clip. Shearing seasons in NSW traditionally ran through spring, employing teams of itinerant shearers who moved between properties as the work came on. For the duration of the cut, a shed like this one would have been loud and full of purpose. The collapse of the wool reserve price scheme in 1991, combined with station consolidation and competition from synthetic fibres, reduced the number of operating sheep properties across southern NSW through the decades that followed. Many smaller woolsheds fell out of regular use from the 1970s onward. This photograph, made in 2018, records the Deddick Valley shed in the quiet that comes after a long working life: timber returning to grey, iron returning to rust, the pens waiting for sheep that will not arrive.

04 FROM THE FIELD NOTES

Near Deddick Valley, a woolshed stands in the kind of quiet that follows a long working life. The corrugated iron is rusting through, the timber framing grey and checked with age, the catching pens empty. These structures were built from local hardwood and galvanised iron to anchor the seasonal rhythm of shearing, the operational centre of any wool-producing station. As station consolidation and changing land use reduced the number of operating sheep properties from the 1970s onward, sheds like this one fell silent, the stands idle, the pens still.

Brett Patman

The Woolshed

The series

The Woolshed

2016 · 29 photographs

The Woolshed is a series of working and former working woolsheds across south-eastern New South Wales, predominantly the south-east hinterland and Snowy Monaro region. Most are timber-framed and clad in corrugated iron or timber weatherboards, weathered through decades of use. Some still shear; many do not, as farming priorities have shifted and shearing technology has changed. Woolsheds were sometimes important community meeting points, used for dances and other gatherings. The buildings were always built for function - appearance was never a factor in their design.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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