Fibro Shed

Provenance

Camera
NIKON Z 7
Lens
180.0-400.0 mm f/4.0
Settings
400mm · f/5.0 · 1/400 · ISO 180
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Corrugated fibro-cement walls, faded and peeling paint revealing earlier colour layers beneath. Sunlight enters the shed, falling across the surface unevenly. The wall cladding shows weathering consistent with decades of exposure. No machinery or fittings visible in the frame.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.

Returns Damaged in transit? We replace it. Full policy →

Ships within 10 business days · signed & numbered

In situ

Fibro Shed at The Woolshed, unframed print displayed in situ on a wall.Fibro Shed at The Woolshed, white-framed print displayed in situ on a wall.Fibro Shed at The Woolshed, black-framed print displayed in situ on a wall.Fibro Shed at The Woolshed, raw timber-framed print displayed in situ on a wall.Fibro Shed at The Woolshed, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Fibro Shed
Series
The Woolshed
Catalogue
TWS-018
Process
Giclée
Captured
29 December 2018
Camera
NIKON Z 7
Lens
180.0-400.0 mm f/4.0
Aperture
f/5.0
Shutter
1/400 s
ISO
180
Focal length
400 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Various, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

The shed is small and plain, its walls made from corrugated fibro-cement sheeting of the kind that became common on rural outbuildings across NSW from the 1950s. Fibro, as it was known, offered a cheaper and lower-maintenance alternative to galvanised iron on smaller structures, and it spread quickly across pastoral properties that needed storage, shelter, or utility space without the expense of a full timber-framed iron shed. The paint on these walls has given up its grip over many years of sun and wind, peeling away in broad irregular sheets to expose the layers applied before it. Each layer marks a different period in the shed's working life, a different owner's decision about what colour the place should be. The larger story of sheds like this one runs through the history of the Australian wool industry itself. NSW was, for most of the 19th and 20th centuries, one of the country's primary wool-producing states, with the clip driving the colonial and early federation economy. The shearing shed was the operational heart of any wool-producing property, but it depended on a scatter of smaller outbuildings around it, sheds for storing gear, sheltering vehicles, holding equipment between seasons. When station consolidation, falling sheep numbers, and drought reduced the number of active properties from the 1970s onward, many of those smaller structures were simply left in place. No reason to pull them down. No reason to maintain them either. This photograph, made in 2018, shows what that neglect looks like in a good light. The corrugated fibro panels, the peeling paint, the uneven fall of sunlight across a surface that has spent decades outdoors. The shed still stands. The wool industry it once served has largely moved on.

04 FROM THE FIELD NOTES

A small fibro shed sits open to the light, its corrugated cement walls stripped back by years of sun and weather to reveal the colours underneath. Fibro-cement sheeting like this became common on post-war rural outbuildings across NSW from the 1950s, a cheaper alternative to galvanised iron on smaller structures. As sheep numbers declined and station consolidation reduced the number of working properties, sheds like this one were left standing but no longer needed. The photograph records what the weather and time have made of them.

Brett Patman

The Woolshed

The series

The Woolshed

2016 · 29 photographs

The Woolshed is a series of working and former working woolsheds across south-eastern New South Wales, predominantly the south-east hinterland and Snowy Monaro region. Most are timber-framed and clad in corrugated iron or timber weatherboards, weathered through decades of use. Some still shear; many do not, as farming priorities have shifted and shearing technology has changed. Woolsheds were sometimes important community meeting points, used for dances and other gatherings. The buildings were always built for function - appearance was never a factor in their design.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

You're subscribed.