City Centre

Provenance

Camera
NIKON D850
Lens
70.0-200.0 mm f/2.8
Settings
130mm · f/8.0 · 1/160 · ISO 160
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Here, the core of Tin City reveals its weathered architecture. Corrugated iron structures, once bustling, now stand silent. They bear the marks of time and the harsh Australian landscape.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

City Centre at Tin City, sand drifts between corrugated iron shacks, banking against walls in smooth curves.City Centre at Tin City, sand drifts between corrugated iron shacks, banking against walls in smooth curves.City Centre at Tin City, sand drifts between corrugated iron shacks, banking against walls in smooth curves.City Centre at Tin City, sand drifts between corrugated iron shacks, banking against walls in smooth curves.City Centre at Tin City, sand drifts between corrugated iron shacks, banking against walls in smooth curves.
01 PROVENANCE

Print datasheet

Title
City Centre
Series
Tin City
Catalogue
TCI-005
Process
Giclée
Captured
31 January 2018
Camera
NIKON D850
Lens
70.0-200.0 mm f/2.8
Aperture
f/8.0
Shutter
1/160 s
ISO
160
Focal length
130 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Lake Macquarie, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Lake Macquarie, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The City Centre at Tin City is the main cluster of shacks that gives the settlement its name. The structures sit on a low ridge of the Stockton Bight dunes, looking out over the Pacific to the east. The shacks are timber-framed and clad in corrugated iron, most of it salvaged or recycled. Each shack has been built and rebuilt by its owner over decades. The cladding is patched, painted, and re-painted. Some sections are red, some white, some bare galvanised metal. The shacks sit close together, separated by narrow sand pathways that the wind keeps shifting.

The habitable shacks at Tin City date from the 1930s, when Depression-era squatters built tin shelters on the dunes at a peak of around 36 to 38 structures. The Army cleared the site during World War II for a coastal camp; the squatters returned afterwards to find their huts buried by sand, and rebuilt with driftwood and discarded military crates. On 1 February 2007 the Worimi Local Aboriginal Land Council received freehold title to the surrounding country and simultaneously leased it back to the NSW Government, with the Stockton Bight reserves gazetted under Part 4A of the National Parks and Wildlife Act 1974. Tin City itself is not heritage listed. The 11 shacks that remain are held under licences administered by the Worimi Conservation Lands Board of Management; they cannot be sold and they pass to family or friends.

04 FROM THE FIELD NOTES

Sand drifts between corrugated iron shacks, banking against walls in smooth curves. A blue-clad structure sits centre frame, its paint still holding colour against the bleached landscape. To the left, a timber power pole leans slightly, wires slack. A TV antenna juts from one roofline. Behind everything, the Stockton Bight dunes rise high and pale, dwarfing the buildings below. No footprints in the sand.

Brett Patman

Tin City

The series

Tin City

2018 · 37 photographs

Two tin sheds were put up on the Stockton Bight dunes in the late nineteenth century to hold provisions for sailors shipwrecked on the beach. During the Great Depression a group of squatters built a series of shacks around them. The settlement that grew became Tin City, on Worimi country, in the largest mobile coastal sand mass in the Southern Hemisphere.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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