Eleven

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/2.8 · 1/640 · ISO 64
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A lone shack, marked with the number eleven, sits quietly within the desolate landscape of Tin City. Its faded paint and rusted iron tell stories of resilience against the elements.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Eleven at Tin City, clean lines in a sandy foreground before a weathered Tin City shack.Eleven at Tin City, clean lines in a sandy foreground before a weathered Tin City shack.Eleven at Tin City, clean lines in a sandy foreground before a weathered Tin City shack.Eleven at Tin City, clean lines in a sandy foreground before a weathered Tin City shack.Eleven at Tin City, clean lines in a sandy foreground before a weathered Tin City shack.
01 PROVENANCE

Print datasheet

Title
Eleven
Series
Tin City
Catalogue
TCI-025
Process
Giclée
Captured
1 February 2018
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/2.8
Shutter
1/640 s
ISO
64
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Lake Macquarie, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Lake Macquarie, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The eleven remaining shacks of Tin City run along the dune ridge in a single sparse line, the buildings at various heights, pitches, and colours but reading from this angle as one continuous settlement. The frame takes in roof lines, side walls, and the gaps between adjacent buildings. The wind has worked sand up against the windward ends of several of the shacks. Some of the buildings are painted, some are bare galvanised metal, and most are patched in two or three different surface materials. The settlement looks small against the dune field that surrounds it.

Eleven is the working count. The settlement reached its highest point at around 36 to 38 shacks during the 1930s Depression and has fallen since, through Army demolition during World War II, sand burial in the post-war years, and individual loss of buildings over time. The 2015 Worimi Conservation Lands Plan of Management locked the count in place: no new shacks may be built, and no shack may be rebuilt after destruction. Tin City is therefore a settlement that can only shrink. Whether eleven becomes ten, then nine, then less is a question of how the dunes, the salt, and the storms treat the remaining buildings over the next several decades.

04 FROM THE FIELD NOTES

Clean lines in a sandy foreground before a weathered Tin City shack.

Brett Patman

Tin City

The series

Tin City

2018 · 37 photographs

Two tin sheds were put up on the Stockton Bight dunes in the late nineteenth century to hold provisions for sailors shipwrecked on the beach. During the Great Depression a group of squatters built a series of shacks around them. The settlement that grew became Tin City, on Worimi country, in the largest mobile coastal sand mass in the Southern Hemisphere.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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