Rooftops

Provenance

Camera
NIKON D850
Lens
70.0-200.0 mm f/2.8
Settings
200mm · f/8.0 · 1/200 · ISO 140
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Weathered corrugated iron rooftops stretch across Tin City. These humble dwellings, constructed in a remote Australian coastal area, show the marks of sun, sand, and isolation. They stand as remnants of a forgotten past.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Rooftops at Tin City, sand rises to the rooflines of a cluster of makeshift shacks at Tin City.Rooftops at Tin City, sand rises to the rooflines of a cluster of makeshift shacks at Tin City.Rooftops at Tin City, sand rises to the rooflines of a cluster of makeshift shacks at Tin City.Rooftops at Tin City, sand rises to the rooflines of a cluster of makeshift shacks at Tin City.Rooftops at Tin City, sand rises to the rooflines of a cluster of makeshift shacks at Tin City.
01 PROVENANCE

Print datasheet

Title
Rooftops
Series
Tin City
Catalogue
TCI-013
Process
Giclée
Captured
31 January 2018
Camera
NIKON D850
Lens
70.0-200.0 mm f/2.8
Aperture
f/8.0
Shutter
1/200 s
ISO
140
Focal length
200 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Lake Macquarie, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Lake Macquarie, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The rooftops of Tin City run along the dune ridge in a line of mismatched corrugated iron, each one a different colour and pitch. Some are flat skillion roofs in pale red Colorbond, some are single-pitched in bare galvanised steel, one is patched in three different shades of green. The seams between sheets are visible from above; each roof is built up from whatever cladding was available when it was put on or repaired. Sand has built up against the windward edges of the lower roofs in shallow drifts. The line of rooftops reads as a single continuous repair history made visible.

The shacks at Tin City have been roofed and re-roofed for nearly a century. The original Depression-era structures used whatever materials could be carried in across the dunes; the post-war rebuild used driftwood and discarded military crates that washed up on the beach. Modern repairs add Colorbond and corrugated iron from the hardware stores in Newcastle or Port Stephens. No two roofs match because no two roofs were built at the same time or by the same people. The 11 remaining shacks continue under the Worimi Conservation Lands Plan of Management 2015. The licence system allows the roofs to be patched and maintained; it does not allow a destroyed shack to be replaced.

04 FROM THE FIELD NOTES

Sand rises to the rooflines of a cluster of makeshift shacks at Tin City. Corrugated iron in green, rust-red, and bare silver. TV aerials and power poles jut above the rooftops. A hand-painted sign on one timber wall reads KEEP OUT. Behind the settlement, the Stockton Bight dunes climb higher still, pale gold under flat midday light. No roads visible. No footpaths. Just sand pressing against every surface.

Brett Patman

Tin City

The series

Tin City

2018 · 37 photographs

Two tin sheds were put up on the Stockton Bight dunes in the late nineteenth century to hold provisions for sailors shipwrecked on the beach. During the Great Depression a group of squatters built a series of shacks around them. The settlement that grew became Tin City, on Worimi country, in the largest mobile coastal sand mass in the Southern Hemisphere.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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