Seven Seven South West

Provenance

Camera
NIKON D850
Lens
70.0-200.0 mm f/2.8
Settings
130mm · f/8.0 · 1/160 · ISO 110
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Corrugated iron walls of dwelling Seven Seven South West stand against shifting sand. Rust patterns the metal facade. This structure endures the harsh coastal winds of Tin City, a forgotten settlement.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Seven Seven South West at Tin City, shack number seven sits alone against a wall of sand dunes that rises behind it like.Seven Seven South West at Tin City, shack number seven sits alone against a wall of sand dunes that rises behind it like.Seven Seven South West at Tin City, shack number seven sits alone against a wall of sand dunes that rises behind it like.Seven Seven South West at Tin City, shack number seven sits alone against a wall of sand dunes that rises behind it like.Seven Seven South West at Tin City, shack number seven sits alone against a wall of sand dunes that rises behind it like.
01 PROVENANCE

Print datasheet

Title
Seven Seven South West
Series
Tin City
Catalogue
TCI-014
Process
Giclée
Captured
31 January 2018
Camera
NIKON D850
Lens
70.0-200.0 mm f/2.8
Aperture
f/8.0
Shutter
1/160 s
ISO
110
Focal length
130 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Lake Macquarie, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Lake Macquarie, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

Shack number Seven at Tin City sits on the south-west edge of the settlement, viewed here from the dune ridge above. The shack's flat roof line and corrugated walls drop away to the sand below, with the rest of the settlement behind to the north and the dune field stretching out to the south-west. The painted numeral 7 is large on the front wall in white against weathered metal. A small lean-to has been added to one side. Sand drifts up against the south-west wall in a long shallow wedge. The view from the ridge takes in the shack, a section of dune, and a strip of the Pacific.

Tin City's surviving shacks sit along a low ridge of the Stockton Bight dunes, looking out over the dune field to the west and the ocean to the east. Each shack catches the wind differently depending on its orientation; the south-west exposure is the most exposed to the prevailing southerly that runs up the coast through most of the year. Maintenance demands on the south-west shacks are higher: more sand to clear, more salt on the cladding, more wind to chase down loose materials. The 11 remaining shacks at Tin City are administered under the Worimi Conservation Lands Plan of Management 2015 and stand on land held by the Worimi Local Aboriginal Land Council since 1 February 2007.

04 FROM THE FIELD NOTES

Shack number seven sits alone against a wall of sand dunes that rises behind it like a slow wave. Corrugated iron walls, faded to grey and streaked with rust. A roller door gone dull red. One four-pane window. A thin antenna mast leans from the roofline. Sparse coastal grass pushes through the sand at its base. The light is flat, overcast, bleaching the colour from everything.

Brett Patman

Tin City

The series

Tin City

2018 · 37 photographs

Two tin sheds were put up on the Stockton Bight dunes in the late nineteenth century to hold provisions for sailors shipwrecked on the beach. During the Great Depression a group of squatters built a series of shacks around them. The settlement that grew became Tin City, on Worimi country, in the largest mobile coastal sand mass in the Southern Hemisphere.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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