Sunrise

Provenance

Camera
NIKON D850
Lens
24.0-70.0 mm f/2.8
Settings
40mm · f/4.0 · 1/250 · ISO 64
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Sand has drifted chest-high against the corrugated iron shacks at Tin City. Scattered sheeting and timber posts lie half-buried. Three structures remain standing. Cloud cover sits low over the beach behind them.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Sunrise at Tin City, looking towards the beach from one of the back corners of Tin City.Sunrise at Tin City, looking towards the beach from one of the back corners of Tin City.Sunrise at Tin City, looking towards the beach from one of the back corners of Tin City.Sunrise at Tin City, looking towards the beach from one of the back corners of Tin City.Sunrise at Tin City, looking towards the beach from one of the back corners of Tin City.
01 PROVENANCE

Print datasheet

Title
Sunrise
Series
Tin City
Catalogue
TCI-033
Process
Giclée
Captured
1 February 2018
Camera
NIKON D850
Lens
24.0-70.0 mm f/2.8
Aperture
f/4.0
Shutter
1/250 s
ISO
64
Focal length
40 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Lake Macquarie, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Lake Macquarie, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

Sunrise at Tin City, the shack rooflines silhouetted against the eastern horizon and the Pacific running away under a low band of cloud. The sun is just clear of the sea, and the first direct light catches the windward edges of the roofs and the tops of the dune behind. The colours are warm pink and orange in the sky, fading down to the cooler grey of the dune sand below. The shacks are still mostly in shadow. The line of the foreshore is faintly visible below the row of buildings; the swell catches the light in scattered points across the surf.

Tin City faces the Pacific to the east, with the dune field running west behind. The settlement sits roughly 11 km south-west of Anna Bay on the Stockton Bight, and the sunrise comes in directly over the water. Day-trip access to the settlement is by NPWS-licensed 4WD; the dawn shots come from the few visitors who stay overnight under specific licensed arrangements or who arrive before first light. The 11 remaining shacks have caught sunrises like this one since at least the 1930s, and the original 19th-century provision sheds that preceded them caught the same view from the same direction long before the habitable shacks went up.

04 FROM THE FIELD NOTES

Looking towards the beach from one of the back corners of Tin City

Brett Patman

Tin City

The series

Tin City

2018 · 37 photographs

Two tin sheds were put up on the Stockton Bight dunes in the late nineteenth century to hold provisions for sailors shipwrecked on the beach. During the Great Depression a group of squatters built a series of shacks around them. The settlement that grew became Tin City, on Worimi country, in the largest mobile coastal sand mass in the Southern Hemisphere.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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