The Alleyway

Provenance

Camera
NIKON D850
Lens
70.0-200.0 mm f/2.8
Settings
200mm · f/8.0 · 1/200 · ISO 250
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Corrugated iron walls enclose a forgotten alleyway within Tin City. Sunlight illuminates the rusted metal, revealing textures of decades of neglect. This passage speaks of past lives.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

The Alleyway at Tin City, an undulating sandscape which runs between some of the Tin City Shacks.The Alleyway at Tin City, an undulating sandscape which runs between some of the Tin City Shacks.The Alleyway at Tin City, an undulating sandscape which runs between some of the Tin City Shacks.The Alleyway at Tin City, an undulating sandscape which runs between some of the Tin City Shacks.The Alleyway at Tin City, an undulating sandscape which runs between some of the Tin City Shacks.
01 PROVENANCE

Print datasheet

Title
The Alleyway
Series
Tin City
Catalogue
TCI-017
Process
Giclée
Captured
31 January 2018
Camera
NIKON D850
Lens
70.0-200.0 mm f/2.8
Aperture
f/8.0
Shutter
1/200 s
ISO
250
Focal length
200 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Lake Macquarie, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Lake Macquarie, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The alleyway between two of the Tin City shacks is a narrow sand path roughly a metre wide, walled on both sides by corrugated iron. The path runs the length of the buildings, with the cladding rising on either side to about head height. Where the iron walls meet at the far end, a smaller gap opens onto the dune behind. Sand has built up in low drifts along both walls. A length of rope or wiring hangs from one of the upper iron sheets, anchored to a fastener above. The light along the alleyway is filtered between the buildings and falls in a hard line down one wall.

Alleyways like this one are not designed; they are what's left over after each shack was built next to its neighbour over decades. The space is too narrow for any vehicle and too cramped for storage, but it lets the residents move between the shacks and gives access to the back walls for maintenance. The wind that runs up the coast accelerates as it funnels through gaps like this one, which means the sand also gets pulled through and the cladding takes a heavier beating along these inner walls than on the outer faces. The 11 shacks of Tin City carry on under the Worimi Conservation Lands Plan of Management 2015, which freezes the count but not the maintenance.

04 FROM THE FIELD NOTES

An undulating sandscape which runs between some of the Tin City Shacks.

Brett Patman

Tin City

The series

Tin City

2018 · 37 photographs

Two tin sheds were put up on the Stockton Bight dunes in the late nineteenth century to hold provisions for sailors shipwrecked on the beach. During the Great Depression a group of squatters built a series of shacks around them. The settlement that grew became Tin City, on Worimi country, in the largest mobile coastal sand mass in the Southern Hemisphere.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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