The Garage
Provenance
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 14mm · f/8.0 · 1/80 · ISO 64
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Sand has buried the base of the corrugated iron walls to window height. The roller door stands open. Inside, timber sheets and shelving lean against the back wall. A number four is fixed beside the entrance.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- The Garage
- Series
- Tin City
- Catalogue
- TCI-018
- Process
- Giclée
- Captured
- 31 January 2018
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 1/80 s
- ISO
- 64
- Focal length
- 14 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Lake Macquarie, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Lake Macquarie, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
Sand presses against the lower walls of a long, low shack at Tin City. Number 4. Corrugated iron cladding shows deep rust stains where moisture has crept upward from the dune. An open garage bay reveals tools, shelving, timber offcuts. A faded orange curtain hangs behind a dusty window. The sky is flat and grey. Everything at ground level is slowly disappearing under pale, fine-grained sand.
Brett Patman
The series
Tin City
Two tin sheds were put up on the Stockton Bight dunes in the late nineteenth century to hold provisions for sailors shipwrecked on the beach. During the Great Depression a group of squatters built a series of shacks around them. The settlement that grew became Tin City, on Worimi country, in the largest mobile coastal sand mass in the Southern Hemisphere.
Print sizes
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