Empty Ward

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 0.6s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

An empty ward stands silent within Waterfall Sanatorium. Peeling paint covers walls where patients once rested. Decay claims the abandoned space, a forgotten echo of its past.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Empty Ward at Waterfall Sanatorium, a large rectangular ward stripped bare.Empty Ward at Waterfall Sanatorium, a large rectangular ward stripped bare.Empty Ward at Waterfall Sanatorium, a large rectangular ward stripped bare.Empty Ward at Waterfall Sanatorium, a large rectangular ward stripped bare.Empty Ward at Waterfall Sanatorium, a large rectangular ward stripped bare.
01 PROVENANCE

Print datasheet

Title
Empty Ward
Series
Waterfall Sanatorium
Catalogue
WSA-016
Process
Giclée
Captured
24 June 2018
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
0.6s s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Waterfall, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

An empty ward at Waterfall Sanatorium, photographed from the doorway. The room is long, with windows down both sides, the lower sashes open. There is no furniture. The floor is timber, scuffed by decades of bed-castors and patient slippers. The walls are painted institutional cream, the lower section panelled in tongue-and-groove timber. Light comes in evenly from both sides, the kind of flat daylight the building was designed to admit. Ceiling fans hang from the trusses overhead. The room reads as a stage set for the pre-antibiotic ward routines that ended decades ago.

Tuberculosis killed about 12 per cent of the Australian population in the early twentieth century. Sanatoria like Waterfall were the main response: places where patients with active TB were isolated, kept warm, well-fed, and rested, in the hope that their immune systems would defeat the infection. Some did. Many did not. After streptomycin and other TB antibiotics became available in the late 1940s and 1950s, the medical case for sanatoria collapsed. Most facilities were closed within a decade. Waterfall continued in modified roles for some years before being fully decommissioned. The empty ward in this photograph is what is left of the old approach: a building designed for a treatment that no longer exists.

04 FROM THE FIELD NOTES

A large rectangular ward stripped bare. The polished concrete floor is scuffed brown and red, chalk lines scrawled across its surface. Timber-framed windows line both walls, their red-brown paint still intact. Graffiti covers almost every vertical surface. Ceiling fans hang motionless from exposed conduit. Light enters flat and even through the windows. A green exit sign still fixed above the far doorway. The air looks thick, still, warm.

Brett Patman

Waterfall Sanatorium

The series

Waterfall Sanatorium

2016–2018 · 54 photographs

The first patients arrived at the Hospital for Consumptives, Waterfall on 14 April 1909, with initial provision for 180 men. A women's wing opened in May 1912 for 120; by 1919 it had become the largest sanatorium in New South Wales, holding 788 patients. The site sat at about 1,000 feet (305 m), 26 miles (42 km) south of Sydney, on the medical theory that tuberculosis needed 'high and rarefied atmosphere in the country away from the grime and pollution of cities'.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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