Glasshouse

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 1/25 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Within Waterfall Sanatorium, the glasshouse stands as a hollow shell. Sunlight streams through fractured panes, highlighting the dust and decay of a once-therapeutic space. Overgrown weeds reclaim the concrete floor.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Glasshouse at Waterfall Sanatorium, frosted glass panels fill the walls from dado rail to ceiling, framed in dark timber.Glasshouse at Waterfall Sanatorium, frosted glass panels fill the walls from dado rail to ceiling, framed in dark timber.Glasshouse at Waterfall Sanatorium, frosted glass panels fill the walls from dado rail to ceiling, framed in dark timber.Glasshouse at Waterfall Sanatorium, frosted glass panels fill the walls from dado rail to ceiling, framed in dark timber.Glasshouse at Waterfall Sanatorium, frosted glass panels fill the walls from dado rail to ceiling, framed in dark timber.
01 PROVENANCE

Print datasheet

Title
Glasshouse
Series
Waterfall Sanatorium
Catalogue
WSA-024
Process
Giclée
Captured
24 June 2018
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1/25 s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Waterfall, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

The glasshouse at Waterfall Sanatorium is a small steel-framed conservatory attached to one of the auxiliary buildings, with arched glass panels on three sides and a glass-and-steel roof. The glass is mostly intact, although a few panes have cracked and one is missing entirely. Inside, plants from when the glasshouse was last used have continued growing where they could and died back where they could not. Tropical species have survived best, taking advantage of the warm, humid microclimate the structure still creates. The original timber benches inside have collapsed; the plants have grown over them. The frame of the glasshouse holds, but barely.

A glasshouse at a sanatorium served two functions: it grew flowers and small produce for the wards, and it gave patients in convalescence a controlled environment to spend time in during winter. Patients with chronic respiratory conditions benefited from the warmth and humidity. After Waterfall's closure, the glasshouse was left in place. The remaining plants have continued growing, on a closed-loop water cycle of sorts: condensation forms on the inside of the glass and runs down to the soil. The glasshouse in this photograph is partly a building and partly the working ecosystem the building has become.

04 FROM THE FIELD NOTES

Frosted glass panels fill the walls from dado rail to ceiling, framed in dark timber. A green-painted ceiling slopes upward. The concrete floor is bare, stained black where water has pooled beneath the entrance. An exit sign hangs above the far door, which opens onto overgrown grounds. Graffiti marks the cream-painted lower wall. Brick and glass. Nothing else left.

Brett Patman

Waterfall Sanatorium

The series

Waterfall Sanatorium

2016–2018 · 54 photographs

The first patients arrived at the Hospital for Consumptives, Waterfall on 14 April 1909, with initial provision for 180 men. A women's wing opened in May 1912 for 120; by 1919 it had become the largest sanatorium in New South Wales, holding 788 patients. The site sat at about 1,000 feet (305 m), 26 miles (42 km) south of Sydney, on the medical theory that tuberculosis needed 'high and rarefied atmosphere in the country away from the grime and pollution of cities'.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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