Looking Down The Ward

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 0.8s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

This view looks down a long, decaying ward inside Waterfall Sanatorium. Light fades into the distance, illuminating peeling paint and scattered debris. Decades of abandonment are visible in every detail.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Looking Down The Ward at Waterfall Sanatorium, a long open room stretches back toward a partitioned doorway.Looking Down The Ward at Waterfall Sanatorium, a long open room stretches back toward a partitioned doorway.Looking Down The Ward at Waterfall Sanatorium, a long open room stretches back toward a partitioned doorway.Looking Down The Ward at Waterfall Sanatorium, a long open room stretches back toward a partitioned doorway.Looking Down The Ward at Waterfall Sanatorium, a long open room stretches back toward a partitioned doorway.
01 PROVENANCE

Print datasheet

Title
Looking Down The Ward
Series
Waterfall Sanatorium
Catalogue
WSA-029
Process
Giclée
Captured
24 June 2018
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
0.8s s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Waterfall, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

A long ward at Waterfall Sanatorium runs in a single perspective from the camera position to the far wall. The ward is open-plan, with the bed positions marked by the spacing of the timber floorboards and the placement of the windows along each side wall. The windows are large sash windows, the lower halves opening to admit air. The ceiling is high, with exposed timber trusses and a single line of pendant lights running down the centre. The far wall has a single exit door. The framing of the photograph emphasises the length of the ward and the regular geometry of the windows.

This was a tuberculosis ward of the early twentieth century, designed around the prevailing medical theory that fresh air, sunlight, and rest were the most effective treatments for the disease. Beds were lined up along the walls between the windows. Patients spent most of the day either in bed or sitting in the colonnaded verandah outside. Fresh air was the protocol; rooms were ventilated even in winter. Waterfall ran wards like this one for decades, treating thousands of soldiers, civilians, and children with TB. After the introduction of effective antibiotics in the 1950s, the patient load fell, and wards like this one were progressively closed. The ward in this photograph has been empty for decades.

04 FROM THE FIELD NOTES

A long open room stretches back toward a partitioned doorway. Timber-framed windows line both walls, their red-brown paint still sharp against plaster covered in layers of graffiti. The concrete floor is slick with moisture and grit. Aluminium strips, cabling, and torn insulation lie scattered across it. A ceiling fan hangs motionless. Paint blisters and peels from the ceiling in soft curls.

Brett Patman

Waterfall Sanatorium

The series

Waterfall Sanatorium

2016–2018 · 54 photographs

The first patients arrived at the Hospital for Consumptives, Waterfall on 14 April 1909, with initial provision for 180 men. A women's wing opened in May 1912 for 120; by 1919 it had become the largest sanatorium in New South Wales, holding 788 patients. The site sat at about 1,000 feet (305 m), 26 miles (42 km) south of Sydney, on the medical theory that tuberculosis needed 'high and rarefied atmosphere in the country away from the grime and pollution of cities'.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
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