Honky-Tonk

Provenance

Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/9.0 · 5s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Sunlight enters through broken window panes at an angle across the saloon interior. Paint peels from timber-framed walls in long strips. Decaying wood surfaces run along the floor and fittings. Debris has accumulated across the room. The windows face the light source directly, leaving the far interior in relative shadow.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

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In situ

Honky-Tonk at Western Village, unframed print displayed in situ on a wall.Honky-Tonk at Western Village, white-framed print displayed in situ on a wall.Honky-Tonk at Western Village, black-framed print displayed in situ on a wall.Honky-Tonk at Western Village, raw timber-framed print displayed in situ on a wall.Honky-Tonk at Western Village, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Honky-Tonk
Series
Western Village
Catalogue
WVI-008
Process
Giclée
Captured
19 February 2014
Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Aperture
f/9.0
Shutter
5s s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Nasu-Shiobara, Tochigi, Japan
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Nasu-Shiobara, Tochigi, Japan

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The Honky-Tonk saloon sits inside Western Village's frontier town precinct, a full-scale replica of an 1880s American main street built from timber-framed false fronts on a narrow riverside site in the mountains of Tochigi Prefecture. Alongside a saloon, the street included a bank, barbershop, blacksmith, sheriff's office, hotel facade, and chapel. The buildings were constructed with faux weathering applied during the build, designed to look aged from the first day a visitor walked through the gate. By 2014, genuine decay had long overtaken the painted kind. Western Village opened in October 1973 as Kinugawa Family Ranch, founded by Ōminami Ken'ichi and Ōminami Shizuko on family land in Kurihara with initial capital of ¥3 million. In March 1982 the facility was formally renamed Western Village and repositioned as a themed amusement park. Over the following decade and a half it expanded steadily: a 914 mm gauge steam railroad from 1988, an Indian Theater from 1991, and in 1995 the American Dream Land zone anchored by a one-third scale Mount Rushmore replica at a project cost of ¥2.5 billion. At its peak the park drew visitors from across the Kinugawa Onsen district, one of the most popular hot-spring resort areas in the Kanto region. The collapse tracked the district's own. Combined overnight stays at Kinugawa and Kawaji onsen fell from approximately 3.41 million in 1993 to 1.48 million by 2011, a decline driven by post-bubble austerity, competition from larger leisure operators, and the 2003 nationalisation of Ashikaga Bank, which had been the main lender to roughly 70 per cent of accommodation providers in the area. Nissin Debt Collection, having acquired the park's bank debt, filed for foreclosure at the Tokyo District Court in September 2006. Western Village closed on 7 December 2006. The photograph made in 2014 records what the saloon had become: broken windows, peeling paint, softening timber. Sunlight enters where the glass no longer holds it out, crossing surfaces that once saw costumed staff and paying guests. The frontier town was always a constructed thing, a set dressed to look like somewhere else. What remains is the structure beneath the dressing.

04 FROM THE FIELD NOTES

The Honky-Tonk saloon was part of Western Village's frontier town precinct, a full-scale false-front main street built from timber and painted to replicate 1880s American architecture in the mountains of Tochigi Prefecture. Operated by Ōtaka Enterprises Co., Ltd. under the Western Village name from March 1982, the park closed to the public on 7 December 2006 after the debt holder filed for foreclosure at the Tokyo District Court. By 2014, peeling paint and decaying timber marked what the crowds had left behind.

Brett Patman

Western Village

The series

Western Village

2016 · 18 photographs

Western Village began life in the early 1970s as Kinugawa Ranch, a family-owned country camp near Nikkō in Tochigi Prefecture. In 1975 it was rebuilt as a Western American themed amusement park: replica saloon, hotel, barbershop, bank, blacksmith, sheriff's office, chapel, two haunted houses, and a "mystery shack" with slanted interiors. Animatronic figures populated the buildings; live shows included whip cracking and apple-shooting. At its peak it drew close to a million visitors a year. Continuing investment outpaced revenue; the entrance fee was cut from ¥2,400 to ¥1,500 with little effect. The creditor NIS Group filed for foreclosure in April 2007. The animatronic figures are still in place.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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