Stageplay
Provenance
- Camera
- NIKON D810
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 14mm · f/9.0 · 10s · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
An abandoned theatre stage, faded backdrops still hanging in position. Scattered props remain on the stage floor. Dust coats the surfaces. Ambient light falls across the scene. The space shows no recent human activity.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Stageplay
- Series
- Western Village
- Catalogue
- WVI-016
- Process
- Giclée
- Captured
- 19 February 2014
- Camera
- NIKON D810
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/9.0
- Shutter
- 10s s
- ISO
- 100
- Focal length
- 14 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Nasu-Shiobara, Tochigi, Japan
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Nasu-Shiobara, Tochigi, Japan
Map · Mapbox · OpenStreetMap
About this print
The theatre stage at Western Village, in Nikko, Tochigi, sits as it was left when the park closed on 7 December 2006. Backdrops hang faded and props lie where they fell, the set of a performance that never came. Operated by Ōtaka Enterprises Co., Ltd., Western Village had run since October 1973, beginning as Kinugawa Family Ranch before its 1982 rebrand. The Indian Theater opened in 1991. By December 2006, foreclosure had ended it all.
Brett Patman
The series
Western Village
Western Village began life in the early 1970s as Kinugawa Ranch, a family-owned country camp near Nikkō in Tochigi Prefecture. In 1975 it was rebuilt as a Western American themed amusement park: replica saloon, hotel, barbershop, bank, blacksmith, sheriff's office, chapel, two haunted houses, and a "mystery shack" with slanted interiors. Animatronic figures populated the buildings; live shows included whip cracking and apple-shooting. At its peak it drew close to a million visitors a year. Continuing investment outpaced revenue; the entrance fee was cut from ¥2,400 to ¥1,500 with little effect. The creditor NIS Group filed for foreclosure in April 2007. The animatronic figures are still in place.
Print sizes
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