Control Room Entrance
Provenance
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Settings
- 24mm · f/8.0 · 13s · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A doorway stands open in a concrete and steel structure. The walls show surface decay and discolouration. Steel door frames remain in place. Natural light enters through the opening. The floor and walls carry the residue of industrial use.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Control Room Entrance
- Series
- Graffiti & Urban Decay
- Catalogue
- GUD-004
- Process
- Giclée
- Captured
- 7 November 2015
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 13s s
- ISO
- 100
- Focal length
- 24 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Hornsby, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Hornsby, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
The control room entrance at Hornsby Quarry sits within the remnant crusher plant buildings that survived the site's operational years. Hornsby Quarry ran from around 1905 until 2002, when CSR Construction Materials ended extraction of crushed dolerite, the blue metal that had supplied northern Sydney's road construction for the better part of a century. By 2015, the concrete and steel structures stood open to the elements, their working life finished but their fabric intact.
Brett Patman
The series
Graffiti & Urban Decay
Buildings don't stay empty. Once the owners leave, somebody else arrives. Walls that were blank become a record of who came through and when. Graffiti isn't vandalism on these surfaces , it's the only remaining evidence that anyone cared enough to be here.Urban spaces mid-collapse. The gap between what a building was built for and what it became.
Print sizes
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