Clicker Press

Provenance

Camera
NIKON D7000
Lens
AF-S Zoom-Nikkor 24-70mm f/2.8G ED
Settings
105mm · f/8.0 · 2.5s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A clicker press stands on its column mount, hydraulic fittings rusted orange, a blue pneumatic line coiling from the head. Behind it, a green steel door carries graffiti tags. White-painted brick. No workers.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 3 to 5 business days. Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

Ships within 10 business days · signed & numbered

In situ

unframedwhite frameblack frameraw frameglass

Print datasheet

Title
Clicker Press
Series
Abandoned Shoe Factory
Catalogue
ASF-001
Process
Giclée
Captured
11 March 2012
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Northcote, Victoria, Australia

Where this was photographed

Northcote, Victoria, Australia

Map · Mapbox · OpenStreetMap

From the field notes

A machine used to insert eyelet rivets into lace up shoes.

— Brett Patman

Abandoned Shoe Factory

The series

Abandoned Shoe Factory

2012 · 12 photographs

Abandoned Shoe Factory was the Northcote Shoe Factory at 13-15 Arthurton Road, Northcote, on the corner of Arthurton Road and Helen Street. The operation began earlier in two small buildings on Eastment Street before the company purchased the corner land and built a new purpose-built factory in 1926. By the 1970s the factory was running under the name Purnell Shoe Company. The Australian footwear industry contracted sharply through the 1980s and 1990s under cheap imports, and this is one of the many small and mid-sized manufacturers that closed during that period. The Lost Collective photographs were made in 2011, early in the project, and document the production floor in its abandoned state with the press levers, machinery, and waste bins still in place.

View all in this series →

How big is each print

Print sizes.

The anatomy view shows what this finish is as a physical object — paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight