Change Room and Basins

Provenance

Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 1/13 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A row of ceramic basins mounted along a tiled wall, with coat hooks above. Overhead piping runs the length of the room. Paint has flaked from the walls in patches. Overalls hooks are evenly spaced. Natural light enters from one side, casting flat light across the floor.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
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Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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01 PROVENANCE

Print datasheet

Title
Change Room and Basins
Series
Elrington Colliery
Process
Giclée
Captured
8 January 2017
Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1/13 s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Location
Hunter Valley, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Hunter Valley, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The washhouse change room at Elrington Colliery is a simple, functional space: tiled walls, a row of ceramic basins, coat hooks evenly spaced above them, and overhead pipework running the length of the room. This was where underground workers removed dirty overalls before crossing into the shower area, a hard boundary between the coalface and the surface. The floor is bare. The hooks are still fixed in place. Nothing in the room suggests comfort, only utility. BHP Collieries Proprietary Limited sank two concrete-lined shafts at Elrington from early 1925, each 18 feet in diameter, reaching the Main Greta Seam at 1,190 feet below the surface. Coal production commenced in 1930. The mine was built specifically to supply coking coal to BHP's Newcastle steelworks, and BHP intended it to deliver 3,000 tonnes a day using modern mechanised extraction methods that were largely new to the Hunter Valley coalfields. That target was never reached. By 1950, actual output averaged around 1,500 tonnes a day, roughly half of what had been planned. During the 1940s, approximately 275 workers were employed underground. At the end of each shift, those men came up through the shaft and passed through this room. The basins, the hooks, the tiled walls were the first and last fixed point of their working day above ground. BHP closed Elrington Colliery in December 1962, citing persistent operating losses. Large reserves of coal remained unworked in the seam at the time of closure. Approximately 90 men were affected. The railway branch serving the colliery was dismantled in 1963. The washhouse and its change room remained standing after the mine closed, outlasting the shaft collars and surface screens that were demolished by the late 1960s. This photograph, made in 2017, records the room as it stood: basins intact, hooks in place, paint lifting from the walls in patches.

04 FROM THE FIELD NOTES

The change room at Elrington Colliery washhouse sits between the underground and the surface world, a threshold where men arriving from the Main Greta Seam at 1,190 feet below ground traded coal dust for something approximating clean. Ceramic basins line the tiled wall, hooks above them still fixed in place. The colliery ran approximately 275 workers underground during the 1940s, and this room processed every one of them at the end of a shift. BHP Collieries sank two concrete-lined shafts here from 1925, drew coal from 1930, and closed the mine in December 1962 with large reserves still in the ground.

Brett Patman

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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