Change Room Leaves

Provenance

Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Settings
15mm · f/8.0 · 1/5 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Concrete floor, pale and worn, with dry dead leaves accumulated in drifts along the base of the walls. A vine has advanced through an opening from outside, its growth tracing across the floor. Natural light falls from an unseen source. The room is otherwise empty.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
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01 PROVENANCE

Print datasheet

Title
Change Room Leaves
Series
Elrington Colliery
Process
Giclée
Captured
8 January 2017
Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1/5 s
ISO
100
Focal length
15 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Location
Hunter Valley, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Hunter Valley, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The concrete floor of the washhouse change room at Elrington Colliery, near Abernethy in the Hunter Valley, holds little now but dead leaves and a vine that has found its way in from outside. The leaves have banked up in drifts along the walls. The vine follows the floor in the unhurried way that plants reclaim abandoned buildings, advancing a little further each season with nothing left to stop it. The washhouse stood at the surface end of the daily routine for Elrington's underground workforce. Men who went down the shaft to work the Main Greta Seam came back up through it, cleaned up, and changed before heading home. That routine ran from 1930, when coal production commenced from two concrete-lined shafts each 18 feet in diameter sunk 1,190 feet to the seam, until December 1962, when BHP closed the mine. The closure came with approximately 90 men still on the books, according to contemporary press reports confirmed by Ross Mainwaring's 2009 history of the colliery. BHP's stated reason was persistent operating losses. The seam itself was not exhausted. Large reserves of coal remained unworked when production stopped, which made Elrington's end distinct from most colliery closures: the decision was economic, not geological. The mine had always underperformed against its own ambitions. BHP built Elrington in the late 1920s as a purpose-built supply mine for the Newcastle steelworks and designed it to produce 3,000 tonnes per day using modern extraction methods. It never got close to that figure. By 1950 it was averaging roughly 1,500 tonnes a day, half of what was planned. The nickname it acquired, "the Peter Pan Colliery," referred to a mine that, like Peter Pan, never grew up. What the 2017 photograph records is the change room in the years after all of that, when the building's only activity is seasonal leaf accumulation and slow vegetative entry. The concrete floor is intact. The walls hold. The vine does not hurry.

04 FROM THE FIELD NOTES

The change room floor of the washhouse at Elrington Colliery, near Abernethy, photographed in 2017. Dead leaves have banked against the walls and a vine is working its way in from outside. The washhouse served the men who went underground at Elrington from 1930 until the mine closed in December 1962, when approximately 90 workers were affected by the closure. BHP cited persistent operating losses as the reason. The coal seam was not worked out; large reserves remained untouched when the gates shut.

Brett Patman

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
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