Changeroom Wall

Provenance

Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 1/4 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Tiled walls of a colliery washhouse changeroom. Surface finish aged and marked, grout lines visible between tiles. Fittings remain in place. Natural light falls across the wall from an unseen opening. The room reads as a functional washing facility stripped back to its structure.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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01 PROVENANCE

Print datasheet

Title
Changeroom Wall
Series
Elrington Colliery
Process
Giclée
Captured
8 January 2017
Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1/4 s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Location
Hunter Valley, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Hunter Valley, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The washhouse changeroom at Elrington Colliery sits within a complex that included dedicated changing areas, handwash basins, and separate shower rooms. Tiled walls, bare fittings, and the residue of decades of shift work are what the frame records. Nothing elaborate, nothing decorative. A functional room built to one purpose: getting men clean before they went home. Elrington Colliery operated near Abernethy in the Hunter Valley of New South Wales, approximately 10 kilometres south-east of Cessnock. BHP Collieries Proprietary Limited, with Broken Hill Pty. Company Ltd. and Hebburn Limited as principal shareholders, sank two concrete-lined shafts, each 18 feet in diameter, to reach the Main Greta Seam at 1,190 feet below the surface. The railway branch serving the site opened on 14 January 1924, and coal production commenced in 1930. BHP designed the mine specifically to supply its Newcastle steelworks, with a target output of 3,000 tonnes per day. That figure was never reached. By 1950, actual output ran at approximately 1,500 tonnes a day, consistently short of what the infrastructure had been built to deliver. The mine became known informally as the Peter Pan Colliery: like Peter Pan, it never grew up. In December 1962, BHP closed Elrington Colliery, citing persistent operating losses. Approximately 90 men were affected. Large reserves of coal remained unworked in the seam at closure; the mine stopped not because it was exhausted but because it was uneconomic. The railway branch was dismantled in 1963. The surface structures, the shaft collars, screens, and main buildings, were largely demolished by the late 1960s. The washhouse complex was among the structures that persisted longer on the site, outlasting the operational core of the colliery. By 2017, when this photograph was made, the tiled walls of the changeroom recorded what three decades of coal production had left behind: a room built for practical necessity, still standing after the mine that required it was long gone.

04 FROM THE FIELD NOTES

The washhouse at Elrington Colliery served the men coming off shift from 1,190 feet below ground. Purpose-built changing areas, handwash basins, and separate shower rooms made up the complex, a standard fixture of any operating colliery in the Hunter Valley coalfields. BHP Collieries closed Elrington in December 1962, citing persistent operating losses, with approximately 90 men affected. The washhouse stood long after the shaft collars were dismantled and the screens demolished, recording what remained of a mine that never reached its planned output of 3,000 tonnes a day.

Brett Patman

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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