Lamp Cabin Exterior

Provenance

Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Settings
24mm · f/9.0 · 1/400 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Exterior view of the lamp cabin at Elrington Colliery. Timber and corrugated iron construction, weathered paint, small windows. A modest outbuilding, separate from the main surface structures. Numbered lamp hooks or fittings implied by the building's function. Vegetation encroaching at ground level.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.

Returns Damaged in transit? We replace it. Full policy →

Ships within 10 business days · signed & numbered

01 PROVENANCE

Print datasheet

Title
Lamp Cabin Exterior
Series
Elrington Colliery
Process
Giclée
Captured
8 January 2017
Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Aperture
f/9.0
Shutter
1/400 s
ISO
100
Focal length
24 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Location
Hunter Valley, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Hunter Valley, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The lamp cabin at Elrington Colliery was where accountability started. Before each shift, every miner collected a numbered safety lamp assigned specifically to him. Surface staff tracked those numbers against the men underground, so if a lamp came back without its miner, someone knew to go looking. It was a simple system built around a straightforward fact: the Main Greta Seam sat 1,190 ft below the surface, and once a man went down, the only way to know he was safe was to count his lamp back in. Elrington Colliery was developed by BHP Collieries Proprietary Limited, with principal shareholders the Broken Hill Pty. Company Ltd. and Hebburn Limited. The railway branch to the site opened on 14 January 1924, and the first train ran on 13 June 1928. Coal production commenced in 1930, drawn from two concrete-lined shafts, each 18 ft in diameter, sunk through rock to reach the hard bituminous coal of the Main Greta Seam. Every tonne was destined for BHP's Newcastle steelworks. BHP designed the mine to produce 3,000 tonnes per day. It never came close. By the 1950s, actual output sat at roughly 1,500 tonnes per day, around half the planned figure. The mine's failure to meet its target became well enough documented that it earned a nickname: the Peter Pan Colliery, because, like Peter Pan, it never grew up. The mine closed in December 1962 with large reserves of coal still in the ground. BHP cited persistent operating losses. Approximately 90 men were affected by the closure. The lamp cabin, a small outbuilding in the surface precinct, remained after the shafts were sealed and the screens came down. Photographed in 2017, it still stands at Abernethy, a piece of surface infrastructure that outlasted the mine by decades. The numbered lamps are long gone. The building that held them is not.

04 FROM THE FIELD NOTES

The lamp cabin at Elrington Colliery held the underground safety lights issued to each miner before a shift. Every lamp was numbered and assigned to one person, so the men on the surface always knew who was still underground. BHP operated the colliery from 1930 until December 1962, drawing coal from the Main Greta Seam at 1,190 ft below the surface. When the mine closed, roughly 90 men were affected. The lamp cabin, like much of the surface infrastructure, outlasted the work it was built to support.

Brett Patman

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

You're subscribed.