Car 4554

Provenance

Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/9.0 · 4s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Car 4554, built by Tulloch Ltd in the early 1940s as a steel replacement for Sydney's wooden trailer cars. The riveted steel frame provided greater durability than the timber construction it superseded. Stored in the Paint Shop, built in 1887 for NSW Government Railways carriage finishing.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Car 4554 at Eveleigh Paint Shop, every seat has been stripped out.Car 4554 at Eveleigh Paint Shop, every seat has been stripped out.Car 4554 at Eveleigh Paint Shop, every seat has been stripped out.Car 4554 at Eveleigh Paint Shop, every seat has been stripped out.Car 4554 at Eveleigh Paint Shop, every seat has been stripped out.
01 PROVENANCE

Print datasheet

Title
Car 4554
Series
Eveleigh Paint Shop
Catalogue
EPS-033
Process
Giclée
Captured
19 May 2016
Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Aperture
f/9.0
Shutter
4s s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Eveleigh, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Eveleigh, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

Car 4554 at the Eveleigh Paint Shop is a steel-bodied carriage sitting on one of the workshop's restoration tracks. The body is painted in the chocolate-and-cream NSW Government Railways livery, with the number 4554 lettered in white block capitals on the side. The body construction follows the riveted-steel pattern of the suburban fleet, with the same sliding-door arrangement at the end vestibules and the same window pattern down the side. The bogies under the carriage are steel-framed; the underbody equipment includes battery boxes, traction control gear, and air reservoirs depending on the carriage's class designation. The cladding shows the wear of decades of regular service.

Car 4554 is part of the heritage rolling-stock collection at the Eveleigh Paint Shop, held by the Historic Electric Traction volunteer group. The car is part of the same suburban fleet that 4052 belongs to, built within the same general programme of all-steel electric stock that came in with the network's expansion through the early decades of the twentieth century. Specific service history for 4554 is documented in HET's own records; the carriage is one of several similar examples held at the workshop. The body in this photograph is largely intact, with restoration work continuing on the interior and the running gear.

04 FROM THE FIELD NOTES

Every seat has been stripped out. The bare floor stretches the full length of the carriage, scuffed concrete grey, with a band of green and rust-red trim running along the base of each wall. Circular ceiling vents sit between bare bulb fittings. Sunlight falls through both rows of windows and draws long parallel shadows down the centre aisle. The far end opens to a vestibule door, and beyond it, a second carriage in red.

Brett Patman

Eveleigh Paint Shop

The series

Eveleigh Paint Shop

2016 · 49 photographs

George Cowdery worked on the Britannia Bridge with Robert Stephenson in 1847. John Whitton, Engineer-in-Chief for NSW Railways, brought him to NSW in 1863, where he supervised the colony's first railway tunnels at Picton and Mittagong. The brick main wing of the Paint Shop was completed in 1887, eight rail roads under a sawtooth south-light roof.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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