Mezzanine
Provenance
- Camera
- NIKON D7000
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 24mm · f/8.0 · 10s · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
The abandoned mezzanine once served the bustling Eveleigh Paint Shop. Now, rust consumes its steel structure, a silent witness to industrial decline. Light illuminates the decaying floor below.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Mezzanine
- Series
- Eveleigh Paint Shop
- Catalogue
- EPS-009
- Process
- Giclée
- Captured
- 14 March 2016
- Camera
- NIKON D7000
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 10s s
- ISO
- 100
- Focal length
- 24 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Eveleigh, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Eveleigh, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
The amenities mezzanine stands as a reminder of the workforce that once filled this space. The upper level housed locker rooms, showers, and essential facilities for the many workers who spent their days in the paint shop, maintaining and restoring Sydney’s rail fleet. Below, the open area is thought to have been used for paint mixing, a critical step in preparing trains for their next chapter on the rails.
Brett Patman
The series
Eveleigh Paint Shop
George Cowdery worked on the Britannia Bridge with Robert Stephenson in 1847. John Whitton, Engineer-in-Chief for NSW Railways, brought him to NSW in 1863, where he supervised the colony's first railway tunnels at Picton and Mittagong. The brick main wing of the Paint Shop was completed in 1887, eight rail roads under a sawtooth south-light roof.
Print sizes
The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.
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