Phillip Shirley
Provenance
- Camera
- NIKON D7000
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 21mm · f/9.0 · 1/2 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Phillip Shirley stands within the derelict Eveleigh Paint Shop. Faded paint peels from the walls, revealing layers of history in the abandoned industrial space.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Phillip Shirley
- Series
- Eveleigh Paint Shop
- Catalogue
- EPS-011
- Process
- Giclée
- Captured
- 14 March 2016
- Camera
- NIKON D7000
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/9.0
- Shutter
- 1/2 s
- ISO
- 100
- Focal length
- 21 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Eveleigh, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Eveleigh, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
A blue and white railway carriage sits on bare concrete inside the Eveleigh Paint Shop. Steel columns run the length of the shed. Corrugated iron overhead lets pale light through clerestory windows. Graffiti marks the carriage nose and the columns beside it. Glass is broken in the cab windows. The bogies are exposed, rust thick on the underframe. Timber pallets and scrap metal sit stacked against the wall.
Brett Patman
The series
Eveleigh Paint Shop
George Cowdery worked on the Britannia Bridge with Robert Stephenson in 1847. John Whitton, Engineer-in-Chief for NSW Railways, brought him to NSW in 1863, where he supervised the colony's first railway tunnels at Picton and Mittagong. The brick main wing of the Paint Shop was completed in 1887, eight rail roads under a sawtooth south-light roof.
Print sizes
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