Tounge Groove

Provenance

Camera
NIKON D7000
Lens
14.0-24.0 mm f/2.8
Settings
21mm · f/8.0 · 0.4s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Tongue and groove paneling on a wooden railway carriage, the interlocking construction method standard in early railcar design before steel-bodied stock became common. The Eveleigh Paint Shop was built in 1887 to finish carriages of this type for the NSW Government Railways Carriage Works.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Tounge Groove at Eveleigh Paint Shop, two carriages sit side by side on parallel tracks inside the Eveleigh Paint Shop.Tounge Groove at Eveleigh Paint Shop, two carriages sit side by side on parallel tracks inside the Eveleigh Paint Shop.Tounge Groove at Eveleigh Paint Shop, two carriages sit side by side on parallel tracks inside the Eveleigh Paint Shop.Tounge Groove at Eveleigh Paint Shop, two carriages sit side by side on parallel tracks inside the Eveleigh Paint Shop.Tounge Groove at Eveleigh Paint Shop, two carriages sit side by side on parallel tracks inside the Eveleigh Paint Shop.
01 PROVENANCE

Print datasheet

Title
Tounge Groove
Series
Eveleigh Paint Shop
Catalogue
EPS-022
Process
Giclée
Captured
14 March 2016
Camera
NIKON D7000
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
0.4s s
ISO
100
Focal length
21 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Eveleigh, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Eveleigh, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A section of tongue-and-groove timber panelling on the interior of one of the heritage carriages at the Eveleigh Paint Shop runs along the lower part of a compartment wall. The boards are narrow, around three inches wide, set vertically with each tongue locked into the groove of the next board. The timber has been stained darker than the natural grain and waxed, polished to a soft sheen at the level a passenger's elbow or shoulder would touch the wall. A timber moulding caps the top of the panelling where it meets the painted upper bulkhead. Small brass tack heads run along the joins where the boards meet the framing behind. The condition of the panelling reflects the wear pattern of decades of service.

Tongue-and-groove timber was the standard interior finish for higher-class NSW Government Railways passenger carriages through the first half of the twentieth century. The joinery gave a tight, draught-free wall surface that flexed with the body of the carriage as the train ran, and the timber wore better than the painted-metal surfaces that replaced it in later stock. The panelling in this photograph has been restored by the Historic Electric Traction volunteer group at the Eveleigh Paint Shop as part of the ongoing carriage-restoration program. The original timber has been retained wherever possible; only the boards that had cracked or split through were replaced.

04 FROM THE FIELD NOTES

Two carriages sit side by side on parallel tracks inside the Eveleigh Paint Shop. To the right, a timber-panelled car with tongue and groove cladding, its varnished surface darkened with age. To the left, a stainless steel suburban carriage, grey and corrugated, tagged with graffiti. Between them, a narrow concrete aisle runs deep into the shed. Cast-iron columns rise in a line down the centre. Overhead, the sawtooth roof lets pale light through angled glass panels.

Brett Patman

Eveleigh Paint Shop

The series

Eveleigh Paint Shop

2016 · 49 photographs

George Cowdery worked on the Britannia Bridge with Robert Stephenson in 1847. John Whitton, Engineer-in-Chief for NSW Railways, brought him to NSW in 1863, where he supervised the colony's first railway tunnels at Picton and Mittagong. The brick main wing of the Paint Shop was completed in 1887, eight rail roads under a sawtooth south-light roof.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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