Reflections
Provenance
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Settings
- 48mm · f/22.0 · 30s · ISO 800
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Dark water covers the floor of a derelict industrial interior. The still surface reflects overhead structural elements and the remains of stripped machinery. Surfaces are heavily weathered. Natural light enters from sources outside the frame. The floor is flat and largely cleared of debris.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Reflections
- Series
- Geelong B Power Station
- Catalogue
- GBP-001
- Process
- Giclée
- Captured
- 26 November 2011
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Aperture
- f/22.0
- Shutter
- 30s s
- ISO
- 800
- Focal length
- 48 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Corio, Victoria, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Corio, Victoria, Australia
Map · Mapbox · OpenStreetMap
About this print
Dark water has collected on the floor of the derelict turbine hall at Geelong B Power Station in North Geelong, its surface holding a distorted mirror of the stripped interior above. The station operated from 1954 to 1970, running three 10,000 kW generators in a US-designed packaged plant built on the edge of Corio Bay. After closure, the generating equipment was removed and the building shell left standing. This photograph was made in 2011, three years before the site became the Powerhouse Geelong art project.
Brett Patman
The series
Geelong B Power Station
Geelong B Power Station opened on 8 October 1954 in North Geelong, on the edge of Corio Bay. It was a "packaged" station with components imported from the United States, and at 30 megawatts across three 10 MW boiler-generator sets it was the largest power station in Victoria outside the Latrobe Valley. The design was unusual: rather than housing the boilers in a conventional boiler house, all three sat out of doors except for the operating faces, cutting construction costs. The State Electricity Commission of Victoria ran the station for 16 years before the Latrobe Valley brown-coal expansion left it for peak loads only. It closed in 1970. The building still stands. In 2014 it hosted an art project curated by Ian Ballis, and has since been formalised as a legal-graffiti precinct within the Pivot City heritage area.
Print sizes
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