Turbine Hall Basement
Provenance
- Camera
- NIKON D7000
- Lens
- AF-S Zoom-Nikkor 24-70mm f/2.8G ED
- Settings
- 36mm · f/8.0 · 0.4s · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Lower level of the turbine hall interior. Surfaces are coated in dust. Rust covers the metal components. Light enters from above, falling across the abandoned infrastructure. Evidence of equipment removal visible throughout the space.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Turbine Hall Basement
- Series
- Geelong B Power Station
- Catalogue
- GBP-003
- Process
- Giclée
- Captured
- 8 January 2012
- Camera
- NIKON D7000
- Lens
- AF-S Zoom-Nikkor 24-70mm f/2.8G ED
- Aperture
- f/8.0
- Shutter
- 0.4s s
- ISO
- 100
- Focal length
- 36 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Corio, Victoria, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Corio, Victoria, Australia
Map · Mapbox · OpenStreetMap
About this print
The turbine hall basement at Geelong B Power Station holds what remains after the generating equipment was stripped out following the station's closure in 1970. Three 10,000 kW generators once occupied this structure, which stands 22.5 metres high and 90 metres long on the edge of Corio Bay in North Geelong. The station ran from 1954 to 1970 under the State Electricity Commission of Victoria. By 2012, when this photograph was made, rust had claimed the metal and dust had settled across every surface, the space quiet for more than four decades.
Brett Patman
The series
Geelong B Power Station
Geelong B Power Station opened on 8 October 1954 in North Geelong, on the edge of Corio Bay. It was a "packaged" station with components imported from the United States, and at 30 megawatts across three 10 MW boiler-generator sets it was the largest power station in Victoria outside the Latrobe Valley. The design was unusual: rather than housing the boilers in a conventional boiler house, all three sat out of doors except for the operating faces, cutting construction costs. The State Electricity Commission of Victoria ran the station for 16 years before the Latrobe Valley brown-coal expansion left it for peak loads only. It closed in 1970. The building still stands. In 2014 it hosted an art project curated by Ian Ballis, and has since been formalised as a legal-graffiti precinct within the Pivot City heritage area.
Print sizes
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