Empty Settlement Road

Provenance

Camera
Nikon F100
Film
Kodak Portra 400 · 35mm · ISO 400
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A straight asphalt road runs through the centre of the frame. Five reinforced-concrete apartment blocks stand to the left, balconies projecting, window sockets empty. Dry vines cross the block faces. A single utility pole with sagging lines stands midway along the road. Dense green foliage covers a steep embankment to the right.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.

Returns Damaged in transit? We replace it. Full policy →

Ships within 10 business days · signed & numbered

In situ

An empty asphalt road on Ikeshima runs between five abandoned reinforced-concrete apartment blocks with dry vines across their faces and a steep, heavily vegetated embankment, a single utility pole midway along the quiet street.An empty asphalt road on Ikeshima runs between five abandoned reinforced-concrete apartment blocks with dry vines across their faces and a steep, heavily vegetated embankment, a single utility pole midway along the quiet street.An empty asphalt road on Ikeshima runs between five abandoned reinforced-concrete apartment blocks with dry vines across their faces and a steep, heavily vegetated embankment, a single utility pole midway along the quiet street.An empty asphalt road on Ikeshima runs between five abandoned reinforced-concrete apartment blocks with dry vines across their faces and a steep, heavily vegetated embankment, a single utility pole midway along the quiet street.An empty asphalt road on Ikeshima runs between five abandoned reinforced-concrete apartment blocks with dry vines across their faces and a steep, heavily vegetated embankment, a single utility pole midway along the quiet street.
01 PROVENANCE

Print datasheet

Title
Empty Settlement Road
Series
Ikeshima
Catalogue
IKE-003
Process
Giclée
Captured
18 January 2026
Camera
Nikon F100
Film
Kodak Portra 400
Format
35mm
Film ISO
400
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Location
Nagasaki, Nagasaki, Japan
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Nagasaki, Nagasaki, Japan

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A straight road runs between two opposing worlds. On the left, five reinforced-concrete apartment blocks rise in a row, balconies projecting over the empty street, window sockets open to the weather. Dry vines have taken hold across the block faces, muting the grey concrete. On the right, dense green foliage presses down a steep embankment, reclaiming the edge of the road. A single utility pole stands midway along the street, its lines sagging between supports. These blocks were company-built housing, 社宅 (shātaku), constructed because Ikeshima offered no alternatives. The island covers roughly 1.08 km², about 4 km around, sitting some 7 km off the Nishi-Sonogi Peninsula in the Gotō Sea. Where mainland coal towns spread outward in low timber rows, Ikeshima had no room to spread. Matsushima Coal Mining Co. built up instead, stacking its workforce into reinforced-concrete towers with communal bathhouses and shared laundry facilities. At the 1970 peak, around 7,770 people lived on this small island. The mine that sustained them, the Ikeshima Coal Mine (池島炭鉱), was the last new colliery to open in Japan, beginning commercial output in 1959. The entire worked field lay beneath the seabed, reaching down to about 650 metres below sea level, with a second working area developed from 1974 around the islet of Hikishima, some 4 to 5 km to the west. By the 1990s the underground roadways totalled about 96 km. Peak production came in 1985, when the mine raised more than 1.5 million tonnes of coal. Cheaper imported coal and shifts in Japanese energy policy gradually eroded the case for the mine. On 29 November 2001, the Ikeshima Coal Mine closed. About 2,500 employees were dismissed. Most residents left. The apartment blocks, built to house a working island community, now stand largely empty along a road that carries almost no traffic.

04 FROM THE FIELD NOTES

A straight road bisects the frame, walled on one side by five reinforced-concrete apartment blocks and on the other by dense green foliage climbing a steep embankment. The blocks were company-built housing (社宅) for the workers of Ikeshima Coal Mine, which operated on this small island off Nagasaki from 1959 until 29 November 2001. Because the island covers only about 1.08 km², there was no room for the low timber rows typical of mainland coal towns; the company built up instead. At the 1970 peak, around 7,770 people lived here. After the mine closed and about 2,500 employees were dismissed, most residents left.

Brett Patman

Ikeshima

The series

Ikeshima

1959 to 2001 · 55 photographs

Ikeshima Coal Mine operated beneath the seabed off Nagasaki from 1959 until 29 November 2001, making it the last new coal mine to open in Japan and the last large-scale underground colliery to close. At its 1970 peak the island held 7,770 residents on a 1.08 km² rock in the Gotō Sea, housed in company-built concrete towers above a mine that reached 650 m below sea level.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

You're subscribed.